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DVD REVIEW
Ararat
(2002)
Starring:
David Alpay,
Christopher Plummer, Arsinée Khanjian, Marie-Josée Croze, Bruce Greenwood
Director: Atom Egoyan
Rating:
R
Distributor:
Buena Vista Home Entertainment
Release
Date: July 22, 2003
Review posted:
August 8, 2003
Reviewed by
Dennis Landmann
Ararat is about a tragic historical event, a country in denial and a
people yearning for the truth! For the estranged members of a
contemporary family, the tangled relationships of their present
are only complicated by their catastrophic past. And what begins
as a search for clues becomes a determined quest for answers
across a vast and ancient terrain of deception, denial, fact and
fears. This motion picture explores the pursuit of identity
through the intimate moments shared by lovers, families, enemies
and strangers.
Ararat
is a film within a film. Directed by Atom Egoyan (The Sweet
Hereafter), Ararat follows a set of characters as
they each engage in an emotional journey, crossing paths with
each other by fate and or by choice. The film within Ararat
recounts an almost forgotten and tragic event in history, the
massacre and subsequent genocide of the Armenians in the year
1915. Close to 1.5 million Armenians were slaughtered back then,
but the event is largely unknown in today’s times. Atom Egoyan’s
film educates the viewer about this horrific event and what came
before it, such as fierce battles.
Moreover,
Ararat is certainly not the film to define the event in
history despite its educational value. It’s merely a study
guide, enclosed with bits and pieces of information, reproduced
in the film via flashbacks and voice-overs. The structure of the
script incorporates so many flashbacks, through different styles
and at many stages, that the order of the film becomes
convoluted. Basically, Ararat is so far from telling its
story in a linear way that sometimes the film gets a little
confusing or hard to follow.
Additionally, as a writer Egoyan fails to bring dramatic tension
to the subject. The characters in the film are well-drawn to
some extent, and the actors portraying them do a very good job.
I think at one point in the film the whole story revolves around
two characters at an airport, played by Christopher Plummer and
David Alpay. Plummer and Alpay share some interesting scenes,
with some great dialogue and a little tension. However, during
these scenes, Alpay’s character narrates the flashbacks, usually
involving different storylines and characters. Well, it’s up to
the viewer to try and understand the film’s structure, but just
know what you read here is just me trying to explain the film.
The actual viewing experience might be less confusing than I’m
describing.
Despite an
unusual and at times confusing structure, Ararat remains
a very decent drama. Atom Egoyan’s ear for dialogue and
character interaction is a plus as the film is in good hands
with all the actors involved. On the other hand, the script
appears to be packing so much information I’d rather not get
into any details and cause additional confusion to the reader.
Don’t get
me wrong, I liked Ararat overall. It’s both educational
and benefits from some pretty good acting. It’s a good reference
guide and performs decent in its genre. However, the educational
factor about the genocide wants desperately to be the center of
the film, but it doesn’t work as intended. Sadly, there is not
much emotion coming from scenes depicting the life and times of
the Armenian people.
Buena
Vista presents Ararat in 1.78:1 anamorphic widescreen.
The film’s color palette is bright and colorful when need be,
although some scenes appear to be artistically subdued in color.
Color detail looks fine. Compression artifacts do not appear and
most of the print image looks clean. Yet there are areas where
specks appear on the print. Dark tones and black levels are kind
of inconsistent. Also, grain appears in most of the dark scenes.
On a positive note, there are no lines or scratches visible.
Buena Vista’s overall video presentation looks very decent and
accurate.
You can select to
view the film with optional English subtitles.
Buena
Vista presents Ararat in English 5.1 Dolby Digital
Surround Sound. Dialog scenes are clear and easy to understand.
Mychael Danna’s film score sounds wonderful and mostly all over
the soundfield, which creates a soothing atmosphere. There are
not many sound effects to speak of, and most of the ambient
sounds that exist are simply too quiet. The soundtrack
concentrates mostly on the front speakers, but surround usage is
evident during some pivotal scenes, like the recreation of the
mountain battle and the soldiers slaughtering groups of Armenian
people. These scenes are particularly well-suited for surround
sound and create a fine sound experience.
You can
also choose to view the film in English DTS 5.1, which by
comparison is stronger and more effective in terms or producing
a fine sound experience. Also included is an English Dolby
Digital Stereo soundtrack.
Disc 1:
Commentary by
Atom Egoyan – He provides an in-depth and scene-specific
commentary, pointing out symbols and themes as the film moves
along. He engages in some interesting background information and
talks about the production as well. Basically, he keeps a good
conversation going for two hours. It’s a fairly conversational
track and anyone remotely interested in the film or its subject
matter should give this commentary a listen.
Disc 2:
8 Deleted
Scenes (18 mins) – These are comprised of deleted subplots,
some of which add more depth to the characters. One scene, the
confrontation between Celia and Raffi’s mother, is actually an
extended version. Since these eight scenes amass to a whopping
18 minutes, it’s good to not have them here and not in the film.
A “play all” function is included as well as optional commentary
by Atom Egoyan.
“Making of
Ararat” Featurette (29 mins) – This is not your average
behind-the-scenes featurette or documentary as this one appears
to be edited differently. There seems to be no overall structure
here as interviews, clips, and behind-the-scenes footage are
simply edited together. The interviews are concluded with
members of the cast and crew (costume designer, cinematographer,
composer, producer, etc). Overall, this making-of documentary
offers a good insight into the “emotional journey” of the
production.
Raffi’s Video
Footage (9 mins) – Narrated by Hrair Hawk Khatcherian and
composed to Mychael Danna’s film score, the footage was
photographed in 2000 and includes shots of churches, Mount
Ararat, and the Island of Achtamar. There’s some beautiful
scenery here and Khatcherian’s narration is both helpful and
informative. This is interesting stuff.
“Arsinée
Khanjian on Ararat” Featurette (2 mins) – This is an
interview segment with the actress and wife of Atom Egoyan as
she recounts her emotional experience from the set.
Film Short
“Portrait of Arshile” (5 mins) – This film short was created
for a project based on the painting Portrait of the Artist
and His Mother and features Atom Egoyan’s then five year-old
son Arshile as the focus point. Egoyan provides optional
commentary.
Interviews
(10 mins) – These interviews are comprised into bits and pieces
with white title cards identifying the interview subject and
question. Participants are Atom Egoyan, David Alpay (Raffi),
Bruce Greenwood (Clarence Ussher/Martin), Eric Bogosian (Rouben),
Christopher Plummer (David), Charles Aznavour (Edward), Marie-Josee
Croze (Celia), and Robert Lantos (producer). Some good stuff
here, but not really. I mean, how many times do you need to know
“how it was to work with Atom Egoyan?”
Rounding
out the extras is text-based historical information (running
text), the film’s Theatrical Trailer, and DVD-ROM links
(additional info on the Genocide is offered).
The DVD’s menus
are interactive, but not animated. On a side note, the music
playing over the menus on disc 2 gets a little annoying over
time. The 115-minute feature is organized into eighteen
chapters.
Some very
good performances and well-drawn characters give life to Ararat,
but there is hardly any emotion when Atom Egoyan uses flashbacks
to tell of the Armenian genocide. The event is merely a
backdrop, and works just decent as such, although it seems it
doesn’t want to be in that position. The video/audio quality is
generally pretty decent. The assortment of special features are
numerous and quite splendid quality-wise. Ararat is a
recommended rental.
RATINGS SUMMARY
| THE
MOVIE |
7 |
| THE VIDEO |
8 |
|
THE AUDIO |
8 |
|
THE EXTRAS |
8 |
|
OVERALL
(not an average) |
7 |
VERDICT: RECOMMENDED
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