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DVD REVIEW
Cowboy Bebop:
The Movie
(2001)
Director: Shinichirô
Watanabe
Rating:
R
Studio:
Columbia Tristar
Release Date: 6.24.03
Review
Posted: 6.18.03
Spoilers: None
Reviewed by
Dennis Landmann
"I
won't kill you. I don't want to lose the bounty."
- Spike Spiegel
Mars, 2071. A
tanker truck blows up on Highway One and a deadly viral
infection is released with the explosion. The Bebop crew - Spike
Spiegel, Jet Black, Faye Valentine, and Ed - are instantly after
the culprit when a reward of W300,000,000 is announced. But the
case grows more mysterious as the cold-blooded Vincent Volaju,
who supposedly has been dead for ten years, seems to be the
prime suspect. Conspiracies and secrets better left alone are
uncovered, while Vincent's reign or terror is nowhere near over.
I have
never seen the Cowboy Bebop series (26 episodes), but
it’s not required. Cowboy Bebop: The Movie works just
great on its own. Shinchiro Watanabe (also director of two
segments in The Animatrix;
"Kid’s Story" and "A Detective Story") directs this feature
animation from a script by Keiko Nobumoto.
The
synopsis above is fairly linear and doesn’t give much insight
into what is really explored in the film, but that’s a good
thing because I don’t want to spoil anything. The cool thing
about my experience is that I watched the anime feature without
knowing anything about the series or the film (I didn’t see the
trailer either). After the end credits roll, the only word I can
describe Cowboy Bebop with is "cool," and I don’t mean it
in a generic sense. However, "smart" is also very fitting. I’ll
give you some examples of why these words apply.
First of
all, the story is engaging. Its portrayal of the events is quite
realistic. The characters, bounty hunters in this case, are
interesting to watch and follow on their respective
investigative paths (Spike is the most interesting, Vincent is
second). The script is also very strong. The events in the film
take place between episodes 22 and 23 (for your reference). The
English-language dialogue is much more concise and cooler than
if you would watch the film with the subtitles. Despite several
slow moments (or scenes), most of which take place during the
investigation, Cowboy Bebop moves generally fast. That is
to say the action is also fast-paced, in addition to being
exciting and superbly animated. The animation is fantastic,
really. The whole team of animators and animation directors are
incredible for the animation here mirrors the look of the real
world to a great extent.
All the
above elements make for one exciting ride. Cowboy Bebop
is my first anime feature experience, which is why I will now
seek out more films like this one.
Columbia
Tristar presents Cowboy Bebop in 1.85:1 anamorphic
widescreen. The transfer for this anime flick is nice. Colors are spread out nicely, but color detail
is not too consistent. Dark tones are pretty fair, although I
noticed a few instances of grain and dirt. There's also a bit of
edge enhancement visible. The image quality is decent. Overall, Cowboy
Bebop's video presentation is decent, but nowhere near as good as
Spirited Away.
Columbia
Tristar presents Cowboy Bebop in English 5.1 Dolby
Digital Surround Sound. This track is fairly decent. The sound
effects make a formidable and constructive impact. Dialog scenes
are clear and easy to understand, but they come off a little
quiet. Yoko Kanno’s score and the original music make this a fun
presentation. Surround usage is not really all that engrossing
as the rear speakers remain inactive most of the time. The front
speakers emit enough noise, however, to make for a pretty decent
presentation.
Of course,
Cowboy Bebop is also available in the Original Japanese
Theatrical Version soundtrack, plus a French soundtrack.
The Making
of Cowboy Bebop – This main attraction of the special
edition is divided into six behind-the-scenes chapters. "From
the Small Screen to the Big Screen" (4:50) discusses the
differences and changes between the series and the Cowboy
Bebop big screen update, featuring interviews with director
Shinichiro Watanabe, Spike’s Japanese voice talent, English ADR
director Mary E. McGlin, and two of the English voice talents
(characters Jet and Faye). This featurette and the other five
include behind-the-scenes footage and clips of the film
side-spliced with some of the interviews.
"International
Appeal – What’s Not to Like?" (7:00) examines the appeal of the
series in its international and broader sense, but really
discusses the characters in a broad spectrum. As with the
previous featurette, this one also features interviews with
several cast and crew members. "Spike: A Complex Soul" (7:18)
reflects on Spike Spiegel’s character traits and design.
Watanabe and the character designer Toshihiro Kawamoto explain
some of their feelings and choices about and for the main
character. Providing backup comments are the Japanese and
English voice talents for Spike. As a whole, the information
about the character is focused and valid.
"Faye:
Intellectual Vixen" (6:35) is basically the same as the one
above, except the focus is on Faye. The information here is also
focused and descriptive. "Ed: Resident Eccentric" (6:45) reveals
that the character originally intended to be a boy and the
decision to make Ed a girl came at the very last minute. The
information here is not really that interesting, unless you’re
really involved with the characters of the show/film. You can
probably guess what the featurette "Jet: No Ordinary Dad" (5:00)
discusses. All in all, these six featurettes are very well
produced and the style in which they are presented is pretty
neat and fitting (considering the subtitles required to
understand the Japanese cast and crew).
"Storyboard
Comparisons" focus on four specific scenes, including Scene 3
(The Virus), Scene 6 (The Moroccan Bazaar), Scene 15 (Ed finds
Lee) and Scene 17 (Spike confronts Vincent). There are also
"in-depth character profiles" for Spike Spiegel, Jet Black, Faye
Valentine, Ed and Ein. The "conceptual art galleries" are broken
down to the following, characters, aircrafts, automobiles,
monorail and accessories. Rounding out the extras is the film’s
Theatrical Trailer plus bonus trailers for Osamu Tezuka’s
Metropolis, Bad Boys II (teaser), I Spy,
Memories, Steam Boy and xXx. On a side note, I
think these special features are a bit too thin to warrant a
special edition label. Nevertheless, a compact DVD.
You can
select to view the film with optional English and French
subtitles. The DVD’s main menu is animated to a nice background
and tune. All sub-menus include a background still over music.
The 115-minute feature is organized into twenty-eight chapters.
Cowboy
Bebop
is a fun anime feature with lots of action, explosions and
intrigue. It’s just a cool and smart experience, featuring
top-notch animation. The video quality is pretty good and the
audio presentation is fairly decent. The making-of segments are
a great addition to the special features, but don’t necessarily
warrant a special edition label. All things considered,
Cowboy Bebop comes recommended. Highly recommended for fans
of anime (consider me one from today).
RATINGS SUMMARY
| THE
MOVIE |
8 |
| THE VIDEO |
7 |
|
THE AUDIO |
7 |
|
THE EXTRAS |
5 |
|
OVERALL
(not an average) |
7 |
TOP
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