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DVD REVIEW
Love Liza
(2002)
Starring:
Philip Seymour Hoffman, Kathy Bates
Director:
Todd Louiso
Rating:
R
Studio:
Columbia Tristar
Release Date: 5.27.03
Review
Posted: 5.22.03
Spoilers: Minor
Reviewed by
Dennis Landmann
"I don't have anything!" -
Wilson
Following the
unexplained suicide of his wife, Liza, website designer Wilson
Joel (Philip Seymour Hoffman) turns
to gasoline fumes and
remote control gaming while avoiding an inevitable conflict with
his mother-in-law (Kathy Bates).
Philip
Seymour Hoffman owns this character. I mean he just immerses
himself in him. He doesn’t overplay it either, however, it might
be harder to distinguish what is overplaying and what is
realistic. Anyway, Hoffman is the best thing about this film,
but really the only thing, too. I don’t want to say Love Liza
doesn’t have a story, because it does. Gordy Hoffman’s script is
very intuitive and some of the dialogue is quite witty and
funny, but that is always on Wilson’s part since his responses
are a little different than yours or mine would be. The script’s
purpose is clear, but the story finds itself a little empty on
the whole.
Essentially, Love Liza is a character study. The “a comic
tragic” label below the title on the cover art is somewhat
relevant, but it’s not applicable per se. It’s hard to
categorize Love Liza as a comedy of sorts, because much of the
film feels depressing. Yes, depressing. Perhaps the film is a
little too depressing in its nature, but consider Wilson’s
constant sniffing of gasoline. I won’t reveal anymore than that,
but the things that happen after someone close to you has died,
and you’re left alone all by yourself, anything can happen.
Love Liza really addresses the issue of this dilemma. Wilson
goes off to new places and finds a new hobby; flying motor
planes – it’s funny how he gets this hobby, though. Director
Todd Louiso creates a real mood in the film and really gives us
a hard-knock look at a man in tears and sorrow. But I guess you
get the idea behind the film now.
Love Liza
is worth looking at. When you see the film, don’t turn it off
when it becomes boring to you, because it takes some time to get
to know Wilson. You begin to sympathize with him in a way, feel
sorry for him. I did and that’s what the film does. Love Liza
is a strong, character-driven drama. While its story finds
itself a little empty on the whole, the minor textures are
important. Kathy Bates also stars in the film as Wilson’s
mother-in-law and turns in a commanding supporting performance.
The origin of the title, Love Liza, comes from an
unexpected source, revealed at the end of the film. I find it
rather clever and interesting. Love Liza is dramatic and
worth seeing, but its depressing nature is a little too much for
its own good.
Love Liza
is presented in digitally mastered 1.85:1 anamorphic widescreen
and High Definition. The print doesn’t really give that
impression, however. Probably due to the limited budget, Love
Liza includes a shot or two from a 16mm camera source. The rest
of the print is plagued by dirt. Scratches occur at times, but I
didn’t notice any lines across the print. The color palette is
not as vibrant as it could have been, but some of the subdued
colors work well for the film. Color detail is not quite sharp
enough. Dark tones suffer and black level is not consistent.
Love Liza’s transfer is nothing like it is advertised; at
least I didn’t think much of the High Definition deal. Love
Liza doesn’t look bad, just not good enough.
Love Liza
is available in English Dolby Surround and features digitally
mastered audio. The film is not audio-driven or anything, so
nothing here will impress you. However, dialog scenes are clear
and easy to understand. Jim O’Rourke’s score comes across nicely
and impacts the presentation of the film. I couldn’t find much
evidence of surround usage, or none at all, but the front
speakers perform real well. Love Liza doesn’t sound bad;
it’s fairly average with some small punches in the soundfield.
Aside from a
commentary by Director Todd Louiso, Screenwriter Gordy Hoffman
and Actor Philip Seymour Hoffman, which is pretty conversational
and on target, the only other semi-extras consist of a Weblink,
trailers and filmographies. You can select to view the film with
optional English, Spanish, French, Portuguese and Hindi
subtitles. The DVD’s menus are not animated, but labeled as
interactive. The 90-minute feature is organized into
twenty-eight chapters.
Philip
Seymour Hoffman makes Love Liza really worth watching,
but it’s not just him alone. Bates’ supporting performance, the
script and the film score add much to the film. Yet, as I
mentioned in my critique, the film is way too depressing. It’s
understandable and can be tolerated, but I find it too much.
Either way, rent this flick if you’re near a video store.
RATINGS SUMMARY
| THE
MOVIE |
7 |
| THE VIDEO |
7 |
|
THE AUDIO |
7 |
|
THE EXTRAS |
3 |
|
OVERALL
(not an average) |
5 |
TOP
|