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DVD REVIEW
Once Upon a
Time in the West
- Special Collector's Edition (1969)
Starring: Claudia
Cardinale, Henry Fonda, Jason Robards, Charles Bronson, Gabriele
Ferzetti
Director:
Sergio Leone
Rating:
PG-13
Distributor:
Paramount Home Entertainment
Release
Date: November 18, 2003
Review posted: December 2, 2003
Spoilers: Minor to Major
Reviewed by
Dennis Landmann
A mysterious stranger (Bronson)
with a harmonica joins forces with a notorious desperado
(Robards) to protect a beautiful widow (Cardinale) from a
ruthless assassin (Fonda) working for the railroad in this long
frontier epic. Mysterious pasts and the strength of loyalties is
explored amid lightning fast gun battles and stylish vistas.
Thanks to the IMDB.
"People scare better when
they're dyin'." -
Frank
Once Upon a
Time in the West ranks somewhere on the top 10 list of the
all-time best westerns, and not just in my opinion. However, it
is my opinion OUATITW is the ultimate and best western
picture. It has earned its place on the top 10 list for several
reasons. Let me count the ways.
Sergio Leone directs his films
with his patented style of extreme close-ups, beautiful scenery
and glorious cinematography. His eye for detail and grace is
incredible. Every shot in
OUATITW
is a treasure to behold. He moves the camera in an opera kind of
way, usually guided by Ennio Morricone's wonderful score. This
film seems especially opera-like as Leone uses Morricone's
score, which had been written and conducted before filming
began, in every other scene. It is the music that drives the
images. And the resulting film is like a stream of water flowing
down a river. However, a few rocky passages get in the way, yet
they never disturb the flow.
Every film has at least a flaw or
two. Some may be more obvious than others. In the case of
OUATITW,
the flaws are somewhat apparent, but never too distracting.
First of all I should acknowledge the monstrous length of the
film at 165 minutes. For a western epic, I think such length is
not too problematic. However, a film's running time can
sometimes be increased by a slow pace. Granted, OUATITW
is pretty much a slow film, but nothing ever bored me. Leone's
longest film is Once Upon a Time in America (my
review here) at over 200 minutes. That film could've used some
serious editing, but when the drama sustains throughout all that
time. Not too long ago, MGM released Dances With Wolves
(my review here) on DVD with almost an hour of footage edited
back into the film, accumulating to nearly four hours. Despite
its length, OUATITW sustains its drama and turns into an
epic western.
Something else can be said about
the film as a coherent whole. A few plot holes and some
continuity errors that occur are duly noted, and surely
OUATITW
would've done better without them, yet in the general sense
these flaws do not
cause the film any big problems. I do not hold any grudges
against the film as a whole, neither do I dismiss the flaws on
purpose or glean over them. I acknowledge their existence, but
they do not interfere with my viewing experience. It could be
argued that some areas of the film are a bit disjointed,
especially during a few scene transitions. It seems some
information is missing to connect the progression of scenes.
Again, these are minor flaws compared to the big picture.
The story of
OUATITW is not as fleshed out as it should be, yet it is
both emotionally involving and cathartic. The character of Jill
McBain (Cardinale) is the emotional center of the story. Around
her exists the story. One man is trying to protect her, the
other to pursue her, and the third to rape her. Well, that is
more or less the way the three male characters are connected to
Jill McBain. What is more, however, is the impact Jill has on
the three men. Claudia Cardinale wears quite a bit of make-up
and appears exotic, not to mention looking beautiful. Her
performance is right on the money. She displays all the right
emotions when applicable.
The actress was recently
seen in the film And Now... Ladies and Gentlemen.
Henry Fonda plays Frank, a
ruthless killer. He is in cohorts Morton (Gabriele Ferzetti), a
railroad baron, and together they try to epitomize what we now
know as a monopoly. Later in the story, Frank tries to force
Jill to sell her property. Both of these men are disgusting
villains, but Frank is much more callous. The role of Frank is
certainly a large step in the other direction for Henry Fonda.
However, he's got the malice down to his bones. His eyes really
sell it, too, which is just what Leone wanted. Fonda makes Frank
a great villain. The actor made his last
impression on the big screen with the 1981 drama On Golden Pond. Among
many other films, he was great in 12 Angry Men.
Confronting Frank is Charles
Bronson as Harmonica, a character of morale and sincerity. When
events require him to be abrasive, he will not take shit from
anyone. His interrogation of a man inside a dark factory turns
violent and bloody, but he doesn't go overboard. Harmonica
enjoys an incredible and fantastic entrance in the film's first
fifteen minutes. Three members of Frank's gang hang out at a
railroad station, apparently waiting for nothing. Yet ten
minutes later a train arrives. Only one passenger gets off, and
he plays a harmonica. "Frank sent us," says one of the thugs.
Harmonica asks, "Did you bring a horse for me?" No, "looks like
we're shy one horse," replies the thug. To this Harmonica
answers, "You brought two too many." Before the thugs realize
what he means, Harmonica shoots them like one, two, three! In
short, this is opening sequence is classic. Also, it seems
Bronson was born to play this character. He's just terrific in
this film. Sadly, Mr. Bronson passed away earlier this year on August 30.
Interestingly, he was born on the same day as I, November 3.
Befriending Harmonica under the
most trying of circumstances is Cheyenne, played by Jason
Robards. The actor gives the character a mean-spirited demeanor
that is enjoyable to watch. He's not a bad guy like Frank, far
from it, although his intentions are sometimes a little obscure,
which lends a certain mystery to his existence. Cheyenne has
some good dialogue exchanges with Harmonica, plus he rescues him
from captivity inside Morton's train. The scene is also kind of
humorous, mainly because of Cheyenne and the way he goes about
taking out Morton's bodyguards.
Mr. Robards passed away on December 26,
2000. His last memorable performance was in Paul Thomas
Anderson's Magnolia.
Aside from the beautiful
cinematography and score by Morricone, plus incredible
performances,
OUATITW
is also a film of great cinematic moments. One is the opening
sequence as was discussed earlier, as well as Cheyenne's rescue.
Other great moments include Frank's unforgettable family
massacre, it is both powerful and shocking in the way it shapes
Frank's character; the stand-off between Harmonica and Frank at
the very end; the realization and flashback, coupled with
Morricone's powerful theme, is enormously intense. I could list
many more great moments, but these should be enough to give you
a pretty good idea how great the film plays.
With OUATITW,
Sergio Leone has crafted the ultimate western. It's a beautiful
looking film. It sounds great, too. The performances are
outstanding. I like the film's scope very much, especially
because the story is so involving. Rivaling OUATITW as
the ultimate western is The Good, The Bad and The Ugly,
the third in the Dollars trilogy, but really a prequel,
starring Clint Eastwood, Lee Van Cleef and Eli Wallach.
Sergio Leone directed his last
official western in 1971 with A Fistful of Dynamite (or
Duck, You Sucker), starring James Coburn and Rod Steiger,
and taking place during in the Mexican revolution. However, in
1973 he worked with director Tonino Valerii on the comedy
western My Name is Nobody, though he is listed as
uncredited on the IMDB. I think he served as a supervisor on the
film or something like that. The film is quite terrific as it
teams up actors Terence Hill and Henry Fonda. Morricone's music
is present in the film also. Nobody nicely showcases the
humor in westerns and also in Leone himself. Hopefully
Universal or whoever else owns the rights will release the film on DVD soon.
As a
filmmaker, Leone is a genius. I can sense a little obsession in
his approach to making films, but he creates with care and
passion. He left behind an amazing body of work, although at
only 60 he went too soon. A heart attack was the cause.
Once Upon a Time in the West
comes very highly recommended. It is finally available on DVD.
Enjoy!
"Your friends have a high
mortality rate, Frank." - Harmonica
Paramount presents
Once Upon a Time in the West in 2.35:1 anamorphic
widescreen. Wow, seeing this film in widescreen is just
glorious. In the past I've only seen it in fullscreen so you can
imagine the joy I had watching it again in the proper format.
Shots of the wide vistas look just great. Other scenery is also
beautiful. It's no secret Sergio Leone used the widescreen
format to great effect. He fit a lot of different things into
the frame. The close-ups look awesome on my 60" screen. In fact,
this is like a new experience for me, seeing all these great
shots for the first time in 2.35:1 anamorphic widescreen.
But much more
amazing is the clarity and appearance of the print image. Hardly
any scratches or dirt spots appeared. Colors are vibrant and
very well-saturated. They're not very sharp, but still have good
depth. Color detail is pretty neat. A bit of softness appears
from time to time, but it didn't cause me any problems. Daylight scenes are free of
grain. They simply look great. Very clean. Some of the more
dimly lit scenes look very good also. Blacks are quite solid,
thought not always. Dark tones are consistent most of the time.
I didn't really find any major faults in this presentation.
Compression artifacts did not occur at all. In fact, it's the
ultimate presentation for this classic Western epic. Widescreen
rules!
>>Continued on Page 2 (Audio, Extras,
Overall).
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