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DVD REVIEW
Popeye
(1980)
Starring:
Robin Williams, Shelley Duvall
Director: Robert Altman
Rating:
PG
Studio:
Paramount
Release Date: 6.24.03
Review
Posted: 7.08.03
Spoilers: None
Reviewed by
Dennis Landmann
"Maybe you
swabs can pool your intelligensk and sees that I'm axking you
for an apologeky."
– Popeye
The
legendary, beloved anvil-armed sailor of the seven seas comes
magically to life in this delightful musical, starring Robin
Williams as Popeye, who meets all challenges with the unshakable
philosophy, "I yam what I yam and that’s all that I yam."
Shelley Duvall is Popeye’s devoted long-limbed sweetie, Olive
Oyl, one of the familiar and loveable characters who joins
Popeye in his adventures in the harbor town of
Sweethaven.
Robert
Altman’s Popeye is essentially a musical version of the
famous cartoon/comic strip by E.C. Segar. Well, little did I
know that I would be watching a musical. On the other hand, I
didn’t know
South Park: Bigger, Longer & Uncut turned out to be a musical version of the Comedy Central
cartoon either. There is no comparison between these two films,
except that both include some really good moments and song
lyrics.
Produced by
Robert Evans and written by Jules Feiffer, Popeye is a
pretty straight-forward film. Structurally, Popeye works
well, even though it moves a little too slow. Story wise, it’s a
little thin but fills two hours of entertainment in a decent,
fashionable way. The film takes place in the harbor town of
Sweethaven, a place where anything you do or say is subject to
taxation—some of the reasons are simply hilarious—although
nothing much else is going on. This changes when Popeye arrives
in town and starts to shake up the place. He brushes off the tax
collector, fights off a gang of bar regulars, angers Brutus
(Paul L. Smith), woos the talkative and love-of-the-town Olive
Oyl, cares for the little baby Swee’Pea, and, most important of
all, searches for his long-lost father (Ray Walston)—all the
while he remains true to himself, "I yam what I yam and that’s
all that I yam."
Aside from
the story, Popeye carries some interesting production value.
Sweethaven is essentially one huge set, an amazing feat
accomplished by the production designer Wolf Kroeger, while the
set decorations by Jack Stephens look great. In terms of the
creative process, Robert Altman’s direction is interesting, but
that’s all really. The real charm comes in the form of Robert
Williams, a seemingly perfect choice to play the Sailor man with
the spinach can. He’s got the pipe, the accent, and the demeanor
of Popeye down very well. There’s also some fine chemistry
between him and Shelley Duvall, who is also the perfect choice
for Olive Oyl; she’s got the looks, the voice, and the charm,
too.
Another
creative talent is Harry Nillson, who wrote the music and
lyrics. There are many songs in the film and each one is fun to
listen to and watch play out on screen. So here is a list of all
the songs for reference. "Sweethaven Anthem" by the townspeople,
"Blow Me Down" by Popeye, "He’s Large" by Olive, "I’m Mean" by
Bluto, "I Yam What I yam" by Popeye, "He Needs Me" by Olive, "Sailin'"
by Popeye and Olive, "It’s Not Easy Being Me" by
Poopdeck Pappy, and the film’s famous
(non-Nillson) song "Popeye the Sailor Man," written by Sam
Lerner.
Overall, Popeye offers very decent, somewhat mild
entertainment value. It’s not a film for everyone, simply
because it’s mostly a musical, and it moves kind of slow.
However, that should not deter anyone from giving this flick a
try and enjoy the creativity of the song lyrics. Robin Williams
is reason alone to watch the film on a Saturday afternoon or
whenever.
Paramount
presents Popeye in 2.35:1 anamorphic widescreen.
Considering the film’s age, the print looks very nice in this
transfer. Grain and dirt are hardly present, except in a few
instances. I didn’t notice any scratches or lines either. The
colors are very nice here, but the detail is not exactly
flourishing. Dark tones and black levels are pretty good,
although there are really only two scenes at night. Overall,
this presentation looks real good for its age. It’s certainly a
nice upgrade and gives Popeye the quality it most
certainly deserves.
Paramount
presents Popeye in English 5.1 Dolby Digital Surround
Sound. The transfer is fairly decent and gives the film a nice,
loud voice. Dialog scenes are clear and easy to understand. (By
the way, it’s nice to have subtitles available; it make it
easiers to understands Popeye’s hiklarious akkcent). Sound
effects and musical numbers come across nicely through the front
speakers. The rear speakers tend to give off some little noise,
but overall the surround usage is limited. This audio
presentation is very decent. Popeye is also available in
English Dolby Surround.
There are
no special features, not even the film’s Theatrical Trailer. You
can select to view the film with optional English subtitles. The
DVD’s menus are not animated. The 113-minute feature is
organized into twelve chapters.
Popeye
is essentially a musical, but the songs are enjoyable, as is
Robin Williams who is near perfect as the sailor man. Paramount
offers some remarkable video and audio presentations considering
the age of this film. There are no special features on this
disc, which is understandable, but nevertheless a bit
disappointing. As a result, Popeye makes a fair rental
recommendation for the average viewer. For fans of the
character, cartoon, and/or comic strip, the DVD is an easy
rental recommendation.
RATINGS SUMMARY
| THE
MOVIE |
7 |
| THE VIDEO |
7 |
|
THE AUDIO |
7 |
|
THE EXTRAS |
0 |
|
OVERALL
(not an average) |
5.5 |
TOP
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