I
remembered this quote from The
Shinning, "for some people, solitude and isolation can,
of itself become a problem." And this is how director Brad Anderson introduces us to
Danvers State Hospital – the use
of a supposedly haunted building as the primary setting, main
characters forced to question their own sanity, and the slow
buildup of suspense that leaves audiences squirming in their
seats.
These
movies really do it for me, you know the ones I’m talking
about, the movie you can’t help thinking back to and putting
together all the clues, just as you can’t help hoping that
what you’ve seen won’t stay with you too long, that’s the
kind of film we have here.
Like
Overlook Hotel in The Shinning, from the moment you see this
place you are trapped in the sense of dread and doom, but you
are also helplessly hooked in figuring out, along with our boys,
just what explanation for ghastly murders and mutilations might
be revealed in the end.
Session
9
is cleverly built through images which replay themselves in our
minds long after the screen goes blank. There's
a spiraling pace, which definitely
picks up speed as the movie heads toward the final act.
I don’t want to say much else about the film because you have
to experience it to believe it, but the
key to this wonderful chiller is the mood. The setting is
conflicted and detailed. Some areas are brightly terrifying,
while others are blood thirsty and ancient.
This
is the kind of film that makes people afraid of old cellars and
hallways like ocean
waters was to Jaws.
In my opinion, Session 9
is easily one of the scariest psychological movies since Stanley
Kubrick’s The Shinning.
It’s psychologically scary because
it is intense throughout and avoids being bound by
character development.
Session
9
appears
in an aspect ratio of approximately 2.35:1 on this
single-sided, dual-layered DVD; the image has been enhanced for 16X9
televisions. The film was shot using digital video rather than
conventional film, in the relatively new Digital Video format.
The images are detailed for the most part, but some softness
creeps up at times, which is due to the digital video source.
This
is a very dark movie, where shadow and contrast levels are
consistently reliant throughout, and provide great looking
sequences during both dark scenes and the brightly lit
sequences.
There
are some noticeable edge enhancements within some of brighter
areas of shots, but once again, this is most likely just the
nature of the digital filming process.
Colors
are exceedingly vibrant and alive. Black levels and shadow
detail are surprisingly sharp and deep. USA Films has done a
solid job of translating from the big screen to the home
theater.
The
movie is presented in Dolby Digital 2.0 Stereo, which is
disappointing since the film's frightening sound effects might
have been a little shudder some if a 5.1 track was offered. The
2.0 Dolby Stereo mix was just not enough.
Don’t
get me wrong, sounds like dripping water and strange,
indecipherable voices are very important to a horror film like
this, and this track delivers these and other scary sounds with
effective directionality, and presents dialogue clearly and
realistically.
All
things considered, this is a very good 2.0 stereo mix, but
that’s just it, it’s 2.0 -
horror and suspense films rely heavily on the use of
sound to build tension and the lack of a fully discrete 5.1
soundtrack (just take a listen to the New Line Platinum series
of Se7en,
and you’ll know what I mean), so just crank this up a little
louder than usual, and you should be at least moderately
satisfied.
USA
Films has done a nice job of bringing some worthwhile
supplements to the table for this DVD.
The
DVD contains, Feature length audio commentary with
co-creators Brad Anderson and Stephen Gevedon. Ten minutes worth
of deleted scenes and
extended footage. Alternate ending; a story-to-screen
section follows; which provides five sequences from the film
available on a split screen/alternating view basis.
Next
we have the featurette: The Haunted Palace, it’s
about 12 minutes in length, some good information
on the actual history of Danvers State Hospital can be found
here, along with some comments from members of the cast, well
worth a look before watching the movie, and last but not least a
theatrical trailer of
Session 9.
Session
9
left me with an unsettled feeling that I haven’t experienced
in a very long time since The
Shinning. The movie is horrifying because it never pushes
too far. USA Films has given the film a favorable DVD edition,
with good features excellent video quality and extras, but is
absent somewhat by the less than adequate 2.0 Dolby soundtrack.
This
film would have transcended if a 5.1 Dolby mix was used here.
Should you buy it or rent it? I highly recommend buying Session
9 for fans of intelligent
horror and suspense cinema only.
Those who liked The
Shining will aptly enjoy this film. For everyone else, I’d
rent this one first to give it a look
- highly recommended.