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FEATURE COLUMN
The Year 2003 -
The Staff's Top 10
With all the
top ten lists from the nation's film critics, online critics,
and so forth, we thought why not chime in ourselves?! Without
any ado, here are our top picks.
Dennis Landmann's Top 10 Films
1. Lost
in Translation
2.
Mystic River
3. Master and Commander
4. 21 Grams
5. In America
6. American Splendor
7. Matchstick Men
8. Finding Nemo
9. The Fog of War
10. City of God/Whale
Rider/The Station Agent
Sara Michelle's Top 10
Best
1. Master and Commander
2. American Splendor
3. Mystic River
4. *tie* Finding Nemo & The
Triplets of Belleville
5. Big Fish
6. Lord of the Rings: The Return
of the King
7. City of God
8. Whale Rider
9. The House of Sand and Fog
10. In America
>>Read
Sara's comprehensive "Films of 2003" recap!
Worst
1. Passionada
2. Elf
3. Jeepers Creepers 2
4. Grind
5. Daddy Day Care
6. Scary Movie 3
7. Kangaroo Jack
8. The Cat in the Hat
9. Final Destination 2
10. Lara Croft Tomb Raider: The
Cradle of Life
Christopher
Bryan's Top 10
Note: Films
in top 10 are listed in alphabetical order.
28 Days Later
- This movie scared the pants off of me. It was an
imaginative horror film that used some of the standards of the
genre yet seemed fresh and new.
Elf
- This is a fantastic holiday movie that is perfect for the
whole family. I was rolling through the whole film and had to go
see it a second time to take my eight-year-old cousin. It was
the surprise holiday hit that will make it into the ranks of
holiday classics beating out the other contender "The Cat in the
Hat".
Finding Nemo
- Who says that animated films aren’t fun for adults? Pixar
amazes me anew every time they put a movie out. "Nemo" had heart
and a fun story to tell.
Lilya 4-Ever
- This film was agonizing to watch and that’s exactly what made
it so good. It haunted me for days after I saw it, and was the
movie that I most recommended and talked about this year.
Seabiscuit
-
It came out of the gates at a time during the summer when I
wasn’t very happy with anything that I saw. It was a nice relief
from the Hollywood Blockbuster action films.
Spellbound
- This movie had more feeling and got me more involved than many
of the best scripted movies of the year. I laughed and cried and
discovered the joy of documentary film for the first time.
The Station
Agent
- A quirky film that I truly enjoyed. The character of Joe made
the movie for me; he added a whole new dimension to the film
with his uncompromising friendship that he developed with Finbar.
X-Men 2
- Finally a summer film that had brains to back up the brawn. I
only wish that it had come out later in the summer to break up
the monotony. Instead it came out right away in May, and
everything that came after was disappointing. It is one of the
few sequels that actually improves upon the original.
Guilty
Pleasure: Charlie’s Angels: Full Throttle
"Full
Throttle" was a cheap thrill in the middle of the summer. Lots
of bodacious babes and silly action with some great cameos. I
enjoyed it, and was surprised that more people didn’t.
Worst Movie:
League of Extraordinary Gentlemen
A pile of
putrid crap. I couldn’t believe what I was seeing. Most of my
respect for Sean Connery was lost. Staring at a blank wall would
have been more worthwhile. Thinking about it now makes me angry
all over again.
At the time
of writing this I did not have the opportunity to see Cold
Mountain, Mystic River, The Two Towers, and The Last Samurai.
Angelo's Top 10
1. Lost in Translation
- Sofia Coppola's masterpiece about miscommunication,
alienation, displacement and the joy of finding someone on the
same wavelength. The film's quiet moments and lucidity elicits
empathy and allows us to simply bask in its genuine warmth and
humor. Bill Murray marvels, Scarlett Johansson scores, and
"Lost" leads the pack as the best film of 2003.
2. The Lord of the Rings: The Return of the King - The
crowning achievement to the greatest fantasy epic ever put on
film. A truly glorious cinematic experience. To call it
exhilarating is a grave understatement.
3. The Man on the Train - Patrice Leconte's introspective
tale about two men's examination of the direction their lives
have taken. The way the story unfolds is engrossing and amazing.
4. Kill Bill: Vol. 1 - The ultimate killer of a
movie. Tarantino's cinematic brilliance bursts through the seams
in every single shot. Uma Thurman shines and is a sight to
behold.
5. All the Real Girls - The most overlooked film of the
year. With its authentic romanticism and quiet timelessness,
it's a classic piece of work. It's one of those films I never
wanted to end.
6. City of God - Terribly overlooked by the Academy last
year, this Brazilian film tells the story of several struggling
youths surrounded by a world of crime and drugs. A powerful and
beautiful film.
7. American Splendor - Harvey Pekar doesn't need to fly
or have mutant powers to be a comic book hero. His oddly
fascinating life is simply enough. The film is original, strange
yet uplifting.
8. Finding Nemo - The funniest film of the year, and
that's just for starters. A constant source of adventure and
laughter, it is one of Disney's most accomplished works.
9. Nowhere in Africa - A fascinating journey about a
German family transplanted to the African heartland. It has the
visual sweeps and gripping saga of a great epic.
10. Raising Victor Vargas - Transcending the typical
ghetto film formula, "Raising Victor Vargas" is one of the best
coming of age films. It's genuine in performances and rich in
emotion.
Jon Bjorling's Top 10
1. City of God - Quite possibly the most disturbing film
I have ever seen. I have no problem with violence and depravity
in film, some of my favorite films include these two things in
bulk. But this film is a little different. Not only is this a
true story, but children are the ones committing these acts.
It's a remarkable film shot almost in a documentary style, which
adds to the realism. This is a shoe-in for best foreign film.
2. Finding Nemo - Pixar has yet another hit. Aside from
having exceptionally beautiful animation, "Nemo" is a well
crafted and very funny story. While Pixar seems to continually
one-up themselves with each and every film, this may be them at
their peak (but I hope not.)
3. Mystic River - You can't take your eyes off this film.
From the very first frames this film sucks you in. Films with
moral ambiguity are always fun to watch because it is a closer
mirror to reality than many other films. You have to wonder
sometimes, how far is one willing to go in order to achieve a
goal?
4. Love Actually - I have admit something: I really
didn't want to see this film. It looked like nothing more than a
typical "chick flick." Those kinds of films don't interest me in
the same way most action films don't because I've seen them all
before. However, "Love" is something different. Five or six
romantic storylines are interwoven to create a tapestry of love
and loss that is both uproariously hilarious and bittersweet at
the same time.
5. Pirates of the Caribbean: The Curse of the Black Pearl -
PIRATES!! ZOMBIES (sort of)!! IN THE SAME FILM!! This is a
combination that can't be beat. I believe this was the most fun
I've had in a few years. It hit all the right notes and boasted
some pretty cool special effects.
7. Kill Bill Vol. 1 - This film is just so cool. Quentin
Tarantino takes all the best things from some of the best 70's
Samurai flicks and adds his own little flair, as well as a few
contemporary film references, such as "Ichi the Killer". I can't
wait to see how he wraps things up in Volume 2.
8. *tie*
Last Samurai/Master and Commander: Far Side of the World
- Here are two historical epics. "Samurai", although featuring a
terrible ending that completely phases out the film's theme, is
a very compelling film. While Cruise is pretty good, his
supporting cast shines brighter. "Master" on the other hand is a
great character-driven film. While a bit overlong, it has some
great action sequences and features very good performances from
the entire cast.
9. Millennium Actress - Wow. The man who directed
"Perfect Blue", one of the most intriguing anime films I have
ever seen, has created a very sweet-natured film about
unrequited love. It's definitely worth the watch despite being a
little on the short side.
10. Bend it Like Beckham - This film is fun. Not
"Pirates" fun, but still a good time.
Other great films of this year: "LOTR: Return of the
King", "Better Luck Tomorrow", "The Eye", "28 Days Later",
"Dirty Pretty Things", "The Rundown", "Cowboy Bebop: Knocking on
Heaven's Door".
Greg Malmborg's
Top 10
1. Mystic River -
Everything I
have to say about this film is beyond positive. I only have
glowing praise for every inch of this film. This is what films
are all about, true emotion and feeling coming through in all of
these exceptional performances. Sean Penn turns in one of the
greatest performances of the past ten years. The Oscar has his
name on it. Tim Robbins also turns in his best performance to
date, which is saying quite a lot. If not for Penn’s
performance, I would say Robbins was the front-runner for the
Oscar. The rest of the cast is also outstanding and all
award-worthy. Eastwood obviously has a way with actors and he
brings the perfect pitch and tone to the direction. The story
is devastating and brilliant; the dialogue is true and real. Best picture of the year, by far.
2. The Lord of the Rings: Return of the King -
This is a profoundly moving, deeply satisfying,
and thrilling conclusion to one of the most spectacular and
unforgettable cinematic achievements of all time. Every inch of
this film is meticulously detailed, beautifully shot, and
extraordinarily acted. Any doubts on this being a let-down or
disappointment of any kind are immediately squelched. This is
the best fantasy film I have ever seen and the trilogy will go
down as a classic. But I should say that if you did not like the
first two you still probably won’t come away thinking this is
the best you’ve ever seen, but you will come away with a
profound respect for the director, Peter Jackson. Jackson deserves all the credit for this amazing trilogy,
and being that this was far and away the best of the three
sections. It is his attention to detail, his brilliant
use of locations and effects, his masterful work with the actors,
and his unadulterated passion for "The Lord of the Rings" books
that makes this the best trilogy of our time.
3. Master and Commander: The Far Side of the World -
Successful
adventure films depend on how well the audience gets sucked up
into the world that is created for them. They need to buy into
this new reality and feel that shared sense of adventure. The
best adventure films took this concept to whole new levels, and
Master and Commander is no exception. Peter Weir is a
genius at creating new and exciting worlds and realities and
fully immersing his audience into them. And Master and
Commander is his biggest success. After seeing this the
first time, you will feel that shared sense of adventure and
truly come out of it with a sense of what life was like for
these brave and loyal sailors. The charming and brilliant work
of Russell Crowe anchors this movie. The film hinges on the
loyalty and respect shown to him by his crew, and Crowe makes
you believe that these men would follow him to the depths of
hell if necessary. He is simply magnificent, as is this grand
adventure set on the high seas.
4. Seabiscuit -
This should be
one of the Best Picture nominees come year-end, and a possible
winner (we’ll have to see how the rest of the year shakes out). This has an old-time feel to it, and I mean that in the absolute
best way. This film is what the movies are all about; it will
move you regardless of your attitude. You will actually feel
like getting up and cheering. The performances are all amazing
and award worthy. Tobey Maguire, Jeff Bridges, Chris Cooper,
and William H. Macy could all be up for Oscars, they are all
that good. This will go down as a classic.
5. Open Range -
One of the
best westerns I’ve seen in the past twenty years, definitely up
there with "Unforgiven" and
"Tombstone". It
has a beautifully slow, old-fashioned feel to it and slowly
builds up the central theme and tension. If you are a big fan
of the western genre you will absolutely fall in love with this
film. Robert Duvall turns in perhaps his best performance to
date and should be a lock for a Best Supporting Actor
nomination. Kevin Costner and Annette Benning are also good,
but Duvall steals the film. Filmgoers who are not fans of
westerns may not enjoy the film as much do to the slow pacing
and slight plot. But this is what contributes to the greatness
of the western genre and "Open Range" hits the mark.
6. Finding Nemo -
I think this
movie is absolutely impossible not to like. I would love to hear
from anyone out there who didn’t completely enjoy every second
of this extremely clever, continuously funny, and heartwarming
animated film. The animation is not just flawless, it is utterly
spectacular. The characters just jump off the screen. It seems
like each and every scene was so perfectly written, animated,
and cast. They should just give it the Best Animated Film
Oscar right now because nothing will even come close. This film
is terrific the whole way through.
7. Whale Rider -
Deeply felt,
extremely well acted drama on finding your place in the world
even when you’re not wanted. I couldn’t recommend this film
enough. Even though it is a bit too slow in some spots, the
weight of the story and the amazing lead performance by one
gifted young actress pulls the film above the crowd. You can’t help
but be moved by this story. Seek this film out.
8. 21 Grams -
Deeply felt,
powerful drama with three amazing, Oscar-worthy performances,
21 Grams is a brilliant meditation on loss, grief, guilt,
and redemption. It’s phenomenal independent filmmaking. Sean
Penn turns in another outstanding, powerful performance and
Benicio Del Toro is just riveting in the best role of his
stellar career. Naomi Watts steals the film with her searing,
soul-stirring turn as a woman overcome with grief and sorrow.
This is her star-making, breakout performance that will be
rewarded come award season. Her desperation and sadness are
simply wrenching, and is almost too hard to watch at times.
Director Alejandro Gonzalez Iñárritu, highlighting the overall
themes, masterfully puts the film together.
9. The Missing -
This is an
engrossing and emotionally resonant Western with two outstanding
performances and strong, masterful direction from Ron Howard.
The Missing has a very dark and dramatic tone to go along
with the dark and dramatic script, also with areas of mysticism,
religion, and riveting action. Howard does a terrific job at
capturing this tone and maintaining a tight pacing,
interspersing the film with potent family drama, exciting action
scenes, and frightening scenes with the kidnapper and his
victims. Cate Blanchett is amazing and award-worthy (you will
see her up there as a nominee) and Tommy Lee Jones gives another
terrific performance. Jones plays the same type of character he
always plays, but it works so well in this setting, it feels
like his best work.
If you enjoy darker, dramatic stories and happen to be a fan of
the Western genre, you will absolutely love this film. Even if
this isn’t your cup of tea, see it for the great performances
from two of the best out there.
10. Lost in Translation -
A understated, sophisticated and
utterly hilarious look at a man in the midst of a middle age
crisis and a younger woman feeling lost in her surroundings and
looking for company. Bill Murray gives an absolutely flat-out
hilarious performance as an over the hill actor selling out and
doing liquor commercials in Japan. His reactions to his surreal
surroundings and his interactions with the Japanese people are
gut-bustingly funny. And he also manages to bring some poignancy
and emotion into what would otherwise be a straight comedy
role. That is what makes his performance award-worthy and
astounding. Scarlett Johansson gives the performance of her
young but brilliant career. She is the true heart of this story,
her yearning for companionship is what drives the story. The
film is directed wonderfully by Sofia Coppola. She manages to
keep the right tone and atmosphere to help the film rise above
what would otherwise be just another Bill Murray comedy into an
intelligent and insightful look into the lives of these two lost
souls in a strange and different place.
Rachel Sexton's Top 10
I went
through a lot of debate to settle on these 10 films, but here is
my list. I attempted to include a variety of genres and styles
of films. These are in random order.
28 Days
Later—Danny Boyle’s scary and fresh entry in the horror
genre updates the zombie movie: instead of the living dead, we
get live people infected with rage. The opening scene is truly
frightening and the rest of the film is chilling as well. The
new actors impress and the romance subplot is for once
successful in a horror film. It is also effective that the
normal people aren’t all good either. This is the best horror
film of the year, perhaps the last few years.
Love
Actually—Richard Curtis and the team at Working Title can
always be counted on for a top-notch romantic comedy and they
didn’t disappoint this year. An examination of love in all its
forms, this film also brings something new to the genre: an
ensemble cast and multiple storylines. British vets like
excellent Emma Thompson and Alan Rickman mix with younger
performers like Keira Knightley and Andrew Lincoln in affecting
plots that will all bring a smile to the face. Hugh Grant as the
Prime Minister is also a joy. The best romantic comedy of the
year.
Seabiscuit— The best sports film of the year is this truly
inspiring and rousing tribute to a forgotten horse that is truly
an American story. Despite being much smaller and having a
detrimental upbringing, the title animal bested the legendary
War Admiral. I challenge everyone to not cheer when Seabiscuit
crosses the finish line in that scene. The story is also just as
much about the horse’s owner, trainer, and jockey as it is about
the horse and in the hands of Jeff Bridges, Chris Cooper, and
Tobey Maguire, these men are extraordinary.
Master
and Commander: The Far Side of the World—A duo from down
under unite to bring an atmospheric and captivating seafaring
epic based on the popular novel series to the big screen.
Director Peter Weir and star Russell Crowe are reliable talents
and the addition of Paul Bettany just increases the
impressiveness of the tale set during the Napoleonic Wars on a
British ship. The setting is evoked excellently and the action
is always exciting. Good supporting performances also abound.
Definitely one of the year’s best.
Finding
Nemo—The best animated film of the year is the story of a
dad clownfish searching for his son in the big Pacific Ocean.
Hilarious and heartwarming, the film will enchant all family
members. The three-dimensional animation is also a wonder,
accurately and strikingly recreating an underwater world that
may at times elicit a breath of amazement. The voice talents,
including Albert Brooks and Ellen Degeneres, are also
outstanding.
A
Mighty Wind—The mockumentaries of Christopher Guest are
always a source of great comedy during the year and this send-up
of the folk music industry didn’t disappoint. Guest, Michael
McKean, Harry Shearer, Fred Willard, Parker Posey, Eugene Levy,
and Catherine O’Hara astound with their comedic skills. This may
be the most accessible of Guest’s films and may be the best
comedy of the year.
Shattered Glass—Morality has become a timely characteristic
when applied to journalism, as factual events have made clear.
This film is based on one of those true events: young hotshot
Stephen Glass’ fabrication of many stories for New Republic
magazine. As Glass, Star Wars hunk Hayden Christiansen turns in
a startlingly good performance and he’s matched by excellent
Peter Sarsgaard as the editor who uncovers Glass’ deception.
This morality tale also works as a detective story on par with
All the President’s Men.
Mystic
River—Sin and redemption, crime and retribution are the
resonating themes of this powerful narrative of four working
class friends in Boston who’s childhood experiences echo in the
present after the murder of the daughter of one of them, played
with usual force by Sean Penn. Tim Robbins and Kevin Bacon round
out the trio of friends, one who is suspected of the crime and
one who is investigating it. The women’s roles, played by Laura
Linney and Marcia Gay Harden, are exceptional as well.
Cold
Mountain—Charles Frazier’s popular novel comes to the screen
courtesy of director and adaptor Anthony Minghella and stars
Jude Law, Nicole Kidman, and Renee Zellweger. An exceptional
adaptation that remains faithful to the novel while fleshing out
the early part of the story well and good editing helps keep the
flashbacks and changes of location straight. Most importantly,
the potent love story resonates fervently thanks to effective
performances from Law and Kidman. The supporting roles are taken
up by some amazing actors as well, Zellweger being the one with
the most screen time. A standout film.
And the best
film of the year…
The
Lord of the Rings: The Return of the King—Finally, director
Peter Jackson’s adaptation of Tolkien’s trilogy reaches its
conclusion, turning in the most enthralling film of the year and
the best installment of the series. Flawless special effects, a
dramatic and heroic story, and outstanding performers just can’t
be beat. Sam battling with gigantic she-spider Shelob, Legolas
taking down an entire elephant-full of opponents, the Army of
the Dead Aragorn rounds up, Gollum falling into the hellfire
with a smile in his face: memorable moments all in a film that
will prove (hopefully once and for all to every critic) that
big-budget moviemaking can equal cinematic masterpieces.
Matt
Sienkiewicz's Top 10
1. Lilya 4-ever
2. City of God
3. Pirates of the Caribbean
4. Elephant
5. Mystic River
6. Finding Nemo
7. Nowhere in Africa
8. The Return of the King
9. Master and Commander
10. Open Hearts/Freddy Vs. Jason
Gregory
Amato's Top 10
1. A Mighty Wind -
Christopher Guest strikes again. Low-key, hilarious - there are
so many funny lines in this film that you might miss. I
would rank it nearly as high as "Spinal Tap".
2. 28 Days Later - Finally a zombie film where the
zombies actually seem dangerous (imagine that!), characters to
care about, dialogue to think about, a story where you have
wonder who exactly the bad guys really are, and visuals that
actually serve the film instead of trying to be its main draw.
All these things make this one of the best films in recent
memory. The ending seems a little convenient, but the rest of
the film is so good it can be forgiven.
3. The Secret Lives of Dentists - The horrors of
upper-middle class America! Okay, that sounds a little silly, but
this film is actually scary unto itself because it's not just
possibly real, it IS real. Few people will be unable to relate
David Hurst's angst. This may be the most thoughtful and
realistic take on infidelity in film.
4. Kill Bill: Volume 1 - Say what you will about
Tarantino copycatting other kung fu flicks. I don't know other
kung fu flicks, but I liked this one a lot. Very simple, and yet
a feast for the eyes, unlike the majority of stupid action
films. Vivica Fox tries to shoot Uma Thurman through a box of
Kaboom! cereal. How can anyone not like this movie?
5. The Matrix Reloaded - Despite the bad taste left in my
mouth after "Revolutions", "Reloaded" was still a great
experience. It left a lot of fans thoughtful about its
implications for the final part and upped the ante on what "The
Matrix" had to say to us instead of just showing off more bullet
time and special effects.
6. Bad Santa - The best in sick humor since "South Park:
Bigger, Longer, and Uncut".
7. Runaway Jury - The Hackman/Hoffmann roles alone are
worth seeing. A very powerful film despite a bit of a sappy and
simplistic ending.
8. Matchstick Men - A con movie with something to say
about the people involved rather than to simply dazzle the
viewer with plot twists.
9. Confidence - Another con film, and worth seeing, but
it
loses a little for outsmarting itself (the characters at some
points know more than should be possible).
10. The Good Thief - Smart, stylish, and subtle, but
it
probably would have gone nowhere without Nick Nolte in the lead.
As you might be able to see I don't feel particularly strongly about
picks 7-10.
Here are some films that I think
might have changed the rankings:
House of Sand and Fog,
Elephant,
Bruce Almighty,
21 Grams,
Dirty Pretty Things,
In America,
The Station Agent,
American Splendor,
Love Actually,
Seabiscuit,
Buffalo Soldiers,
Cabin Fever,
Phone Booth
Keith Helinski's Top 10
1. Seabiscuit/The Missing/Master and Commander: The Far Side
of the World/Mystic River – Not too early to be thinking
about the Oscars! Despite the year of disappointing sequels, and
the majority of it was a disappointing ride, there were some
high class films among them, like the four above.
2. The Matrix sequels -
Wait a minute Keith, are you on crack? Hear me out! I recall "Men
in Black 2" last year had the biggest campaign run ever and it
bombed like a mofo! Why am I talking about "MIB 2"? I
figured it’s a good comparison to the overly hyped turned into a
dud "Matrix"! Although it’s far from the best, one can’t think of
2K3 without the depressing "Matrix" on the mind!
3. Phone Booth – I recall
when I first saw this, wondered if Alfred Hitchcock was alive
today, would he had shot this film the way it was shot? Even the
master of suspense had interest in doing a film like this.
Brilliant, amazingly brilliant.
4. Freddy vs. Jason – The
80’s came back this year. Not talking about the two versions of
I Love the 80’s on VH1. I am talking about the nostalgic "Freddy
vs. Jason". Not the greatest nor what I would have done but
satisfying neither less and I would expect more cross over slashers in the near future!
5. Terminator 3: Rise of the Machines – Disappointing.
Depressing. Torturous. Parody. Spin off. How ever you want to
classify it, the crane shot is the only greatest aspect to "T3"
and the only reason why it gets the best mark is who knew four
months after this film gets released, we would be hearing about Arnie’s campaign (which was worse than watching
"T3" ten times
over for the people that don’t even live in California!!) And
the commentary track of the DVD is the best comical piece since
the "Mallrats" commentary track (but is that really saying
much?)
6. Final Destination 2 –
Another great sequel! I was a bit surprise especially for how
much the special effects improved from part one and two. The
first 20 minutes with the pile up is the best crap I ever seen
of special effects.
7. Texas Chainsaw Massacre
– Not that great but not that horrible either. This got mix
reviews critically but all and all, makes us ponder that not all
remakes are horrible to consider.
8) The Lord of the Rings: The
Return of the King – While this is the year of horrible part
threes and colons: what a great way to end the year. And when
they say it has been a journey, damn right. And next Christmas
is going to feel a little awkward since we all know there won't
be another "Lord of the Rings" on the big screen. But hey - we
got the extended DVD of "Return of the King" to look forward to
comes Christmas!
9. Pirates of the Caribbean:
The Curse of the Black Pearl – Disney failed on their new
campaign of bringing their full-of-life attractions on the big
screen except this one. Just an all-round fun-filled adventure.
10. X2 – There are moments
when sequels are questionable and this film proves to all that
sequels do kick the living crap out of originals! For a b-movie,
"X2" had enough to rank up there.
John Teves' Top
10 DVDs of 2003
1. Alien Quadrilogy
2. Lord of the Rings: Platinum Series Extended Edition
3. Scarface: Anniversary Edition
4. The Adventures of Indiana Jones Collection
5. Pirates of the Caribbean
6. X2: X-Men United
7. Casablanca: Special Edition
8. The Lion King: Platinum Edition
9. Who Framed Roger Rabbit: Vista Series
10. Terminator 2: Extreme Edition
Article
Posted: 01.02.04
Article Revised:
03.17.05
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