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FEATURE COLUMN
Movie Talk with Greg
Malmborg
An Entertainment Column
Welcome to
Movie Talk, my new bi-weekly column. I want to
thank all of you again who took the time to e-mail me your
thoughts, comments, and ideas. It was very insightful. I also
want to encourage more of you to
e-mail me any comments on the topics I discuss or any ideas
for the column. And as I said before, I will post some reader
comments when I feel it is appropriate and I will run contests
from time to time (no prizes, just recognition).
Oscar Outlook
I’m going to
start off every column now with a discussion on the upcoming
Oscars, as well as my prediction table. The table will only
include films that are out and that I’ve seen. My table is
currently shaping up like this:
OSCAR
PREDICTION TABLE
Best
Picture
–
Mystic
River, Seabiscuit, Whale Rider, 21 Grams, Master and
Commander: The Far Side of The World
Best
Actor
– Sean Penn (Mystic
River),
Sean Penn (21 Grams), Bill Murray (Lost in
Translation), Billy Bob Thornton (Bad Santa),
Russell Crowe (Master and Commander: The Far Side of the
World)
Best
Actress
– Scarlett Johansson (Lost in Translation), Keisha
Castle-Hughes (Whale Rider), Charlotte Rampling (Swimming
Pool), Cate Blanchett (The Missing), Naomi Watts (21
Grams)
Best
Supporting Actor
– Robert Duvall (Open
Range),
Chris Cooper (Seabiscuit), Benicio Del Toro (21
Grams), Johnny Depp (Pirates of the
Caribbean),
Tim Robbins (Mystic
River)
Best
Supporting Actress
– Marcia Gay Harden (Mystic River), Holly Hunter (thirteen),
Hope Davis (American Splendor), Laura Linney (Mystic
River), Emma Thompson (Love Actually)
Best
Director
– Clint Eastwood (Mystic River), Alejandro Gonzalez
Iñárritu (21 Grams), Jon Favreau (Elf), Gary
Ross (Seabiscuit), Peter Weir (Master and Commander:
The Far Side of the World)
Best
Animated Feature Film
– Finding Nemo (hands down winner, will not even put
another nominee)
As you can
tell, this is a work in progress. Many names were added or
deleted from the last column. In the Best Picture category, I
added both 21 Grams and Master and Commander and
took out Lost in Translation and Open Range. 21
Grams is reviewed below in this column. Basically, 21
Grams is an actor’s showcase, allowing the three main actors
to delve deep into these troubled characters, but it is also a
brilliant meditation on loss, grief, guilt, and redemption. The
story is harrowing and tough but it sticks with you. Master
and Commander is also reviewed in this column. Peter Weir is
an absolute genius at transporting the viewer into another time,
another world, and another reality. And in the film he not only
continues this glorious trend, but also deepens it and fully
captures what life was like on a British war ship during the
Napoleonic War. The film is about the bonds of friendship,
honor, and loyalty among men put in horrible conditions and the
beauty of life that shines through regardless of the situation.
Weir makes you feel like you are part of this crew of sailors,
part of this rough, high-seas lifestyle. I knocked Lost in
Translation and Open Range out only because they were
just not quite as strong as the remaining films in the category,
but they are both brilliant films and deserve recognition as
such.
Academy Award Prediction for Best Picture -
Mystic
River
In the Best
Actor category, I added Sean Penn for 21 Grams, Billy Bob
Thornton for Bad Santa and Russell Crowe for Master
and Commander. Unless a lead performance in the remaining
handful of films is just spectacular, the two best performances
of the year (possibly the past 5 years or so) by any actor in
any category, comes from the same guy. I don’t know if that has
ever happened. If it has, please e-mail me. Sean Penn has turned
in two blistering, deeply moving performances in two amazing,
memorable films. I still believe the
Mystic
River
performance is the best (I believe it is one of the best
performances in film history), but the 21 Grams
performance is not far off. Penn has come a long way from Jeff
Spicolli! He will win the Oscar come February; I’ll just state
it flat out.
Billy Bob
Thornton’s performance is in a totally different arena than
Penn’s, but this is one of the funniest performances I’ve ever
seen. Thornton plays the ugliest, nastiest character ever
displayed in a Christmas film (possibly in any film) and he
completely dives into the role. He never lets up. In fact, he is
completely fearless with it, and he generates more laughs than
all of Adam Sandlers’ films combined. Comedy is hardly ever
rewarded but it is among the hardest mediums for an actor to
pull off.
Thornton pulls it off perfectly.
I also added
Russell Crowe, who is just brilliant as Captain Jack Aubrey. As
I stated earlier, the film makes you feel like you truly are
part of this crew and Crowe makes you believe that the crew
would follow him to the depths of hell if necessary. I
transferred Tim Robbins to Best Supporting Actor, as this seems
to be the direction the Academy is going with his performance,
even though he shares just as much screen time as Penn
(strange). I took off Tobey Maguire (Seabiscuit) and Paul
Giamatti (American Splendor) who both were terrific but
just not in the same league as the other nominees.
Academy Award Prediction for Best Actor - Sean Penn in
"Mystic River"
In the Best
Actress category, I added Cate Blanchett for The Missing
and Naomi Watts for 21 Grams. Cate Blanchett is nothing
short of magnificent in The Missing, but isn’t she
always? I can’t for the life of me think of any movie she has
ever been in where her performance was anything but terrific.
And in The Missing, she plays an emotionally wounded,
frontier woman who needs to be dirt tough for her family to
survive. And through the film, you see her hurt and heartache
breaking through her tough façade. It is a beautiful performance
in a dark and searing Western.
Naomi Watts
has the Best Actress Oscar locked up. She gives a searing,
harrowing performance as a woman overcome with grief and sorrow.
It is an extremely hard performance to watch, she gives it all
she has and leaves it all on the table. The emotional range she
shows is shocking; it is a surprising and wonderful
performance. I took out Uma Thurman because it was just filler
(not anywhere near the quality of the other performances). I
also took out Audrey Tautou in Dirty Pretty Things
because I couldn’t think of anyone else to put in there for the
last column.
Academy
Award Prediction for Best Actress – Naomi Watts in "21 Grams"
In the Best
Supporting Actor category, I added Benicio Del Toro for 21
Grams. He does the best work of his career as a reformed
criminal who finds and then abandons Jesus, and, remember, he
won an Oscar for Traffic. His performance truly stayed
with me, it is deeply sad and moving. This category is tight
between him and Tim Robbins who I moved here from the Best Actor
category. I had to take out Kevin Bacon for Mystic River,
due mostly to very low screen time compared to the rest of the
nominees.
Academy Award Prediction for Best Supporting Actor – Tim Robbins
in
"Mystic
River"
In the Best
Supporting Actress category, I added Emma Thompson for Love
Actually and I took out Lucy Lui for Kill Bill Volume One.
Lucy Lui was mostly filler, although her performance was unique
and funny. Emma Thompson was superb in Love Actually; she
provided the reality and emotional heart of this sugar coated,
but enjoyable romantic comedy. The scene where she learns who
her husband really bought the necklace for may win her the Oscar
in itself. Brilliant work.
Academy
Award Prediction for Best Supporting Actress – Emma Thompson in
"Love Actually"
In the Best
Directing category, I added Alejandro Gonzalez Iñárritu for
21 Grams, Peter Weir for Master and Commander, and
Jon Favreau for Elf. I took out Nikki Caro for Whale
Rider, Kevin Costner for Open Range, and Sofia
Coppola for Lost in Translation. Iñárritu is a wonderful
young director who is obviously good at working with actors. He
brought out three of the best performances of the year and he
managed to wrap it all in a concise and interesting format,
without taking anything away from the performances. I’ve already
expressed my reasons for Peter Weir. I added Jon Favreau because
of the tremendous job he did in combining a Christmas tale, an
adult fish-out-of-water comedy, and a kids movie and somehow
making it all work to become the hit film of the year. The way
he filmed the North Pole scenes was hilarious and he also
managed to bring in nostalgic images from classic Christmas
films without being overbearing or cheesy. I know he won’t be
nominated but I think it was an amazing piece of directing. The
three I took out were a tough decision because they are all
deserving and they may be brought back in the mix before all is
said and done.
Academy Award Prediction for Best Director– Clint Eastwood for "Mystic
River"
Now remember,
there are still quite a few films coming out in December that
will probably change my table and some of these predictions.
Most notably being The Lord of the Rings: Return of the King,
The Last Samurai,
Cold Mountain,
Big Fish, and The House of Sand and Fog. Many are
saying that Return of the King is a lock for a Best
Picture win and a Best Director win just on the strength of the
trilogy as a whole. Return of the King should be weighed
on its own not with the other two films. I’ll have a whole lot
more to say on this after I see it (December 17). I’m hearing
that The House of Sand and Fog is absolutely terrific and
may gain some serious Oscar steam at the very end of the year
(it comes out in limited release on December 26, so it won’t be
available to most of the public until around the time nominees
are announced). I am very eagerly anticipating The Last
Samurai, and I expect it to be on my top 5 of the year.
Big Fish and Cold Mountain do not look as good as
they are hyped to be based on the previews (but we shall see).
Feedback,
Questions and Nonsense
“My Top 5 of
this year so far are:
1)
The Last Samurai – saw a sneak peak, it will blow you away! Incredible!
2)
Mystic River
– agree with you 100% on this, just wait till Samurai
though
3)
Bad Santa
– funniest movie I’ve ever seen!
4)
Kill Bill Volume 1 – eagerly anticipating Volume 2
5)
Lost in Translation – Bill Murray is a comedic genius, end of story!
I don’t agree
with you on Whale Rider or
Open Range.
I’m not a western fan, so that’s probably the only reason I
didn’t think all that much of Open Range and Whale
Rider was dull and I couldn’t get into the story. But
mostly, I agree with your choices. Great job, keep it up,
later!”
-Heath (Very
Bad Santa) in
Louisville
Yeah,
Open
Range
is only for Western fans, I’ll admit, but for Western fans it is
perfect. As far as Whale Rider goes, I thought the story
was timeless and uplifting. It got to me, but to each his own.
And, yes, I am dying to see The Last Samurai. I’ll let
you know what I think.
“Great
column, keep up the “to the freaking point reviews”
-Jen in
Missouri
Thanks Jen, maybe I should call it that from now on. To The
Freaking Point Reviews!
Contest
Winner: Joe G. in Trenton!
He was the
first to answer correctly; the mask worn by Michael Myers in the
Halloween films was actually a William Shatner mask.
Film Quickies
at the Movie Theater
Elf
This is an
absolutely hilarious and simply wonderful little Christmas film.
This is one of those rare family films where the adults will
honestly (not just because the ad says so) have just as good a
time as the kids (maybe even better). Will Ferrell gives a
phenomenally hilarious, warm, and engaging performance as Buddy,
the only human elf in the North Pole who makes a trek to New
York City to meet his real father. The North Pole scenes are
imaginative and whimsical, but the film really takes off once
Buddy makes it to
New York.
From the moment he arrives, the film is a non-stop,
laugh-a-minute riot with Ferrell masterfully hitting all the
right comedic notes. The ending is a bit sappy, but even that
portion of the film has a distinct charm to it. I would find it
extremely hard to believe anyone not enjoying oneself through
this wonderful little gem. A new Christmas classic (up there
with A Christmas Story and Christmas Vacation).
4 out of 5
The Texas
Chainsaw Massacre
It’s a nicely
done remake of the classic horror film. Chilling, gruesome, and
relentless, it truly keeps you on the edge of your seat and the
creepiness stays with you for a while. The performances are
surprisingly effective, not grating or annoying as in most
slasher films. And the direction is very effective, masterfully
capturing the suspense and horror of these kids running for
their lives from these demented maniacs. It was a great decision
to keep the focus on just one main character (Jessica Biel) and
view the film from her perspective. Not to get into the
motivations or back-story on the hicks (which is not important,
it would not add to the horror or suspense), and to just focus
on her fight for survival. And
Biel
is intensely watchable, probably for only obvious, superficial
reasons (but hey… it works!). 3 out of 5
The Matrix
Revolutions
Well, one of
the most anticipated finales in film history is, well… history.
It was widely panned by most critics and a lot of the general
public stayed away due to the scathing reviews. Well, I’m here
to say that this trilogy will still go down as a science fiction
classic. Critics seem to have forgotten that the Matrix
trilogy is a sci-fi trilogy, meaning “Not for everybody”. These
are not movies for the masses, just like Blade Runner,
2001, and
Dark City
are not for everyone. I thought that Revolutions took the
trilogy to exactly where it was headed in the beginning (what
was it all the critics were watching in the original?) and then
expanded upon it and deepened the whole experience. The first is
the original, groundbreaking classic; the second is the special
effects masterpiece; the third is the deepest and richest in
story and theme. I could care less what critics think of these
films now; they are destined to be classics (for me, they
already are). 4 out of 5
Love Actually
For romantic
comedy fanatics, it just doesn’t get any better (or sweeter)
than this. It’s a funny, charming, and heart-warming film about
love in many of its forms and the fact that love is all around
us. There are many stories going on at once and many types of
relationships and longings working themselves out, so there is
something in it for everyone (although maybe too much of
everything for others). The performances are almost all
first-rate and a couple award-worthy (Emma Thompson and Bill
Nighy), and the dialogue rings true and feels genuine. There are
wonderful scenes throughout and not too many cringe-inducing
scenes as in many other romantic comedies. If you usually cringe
just hearing the words “romantic comedy”, you should probably
see another movie. I enjoy well-made, smartly written, and
sharply acted romantic comedies. I truly enjoyed Love
Actually. 3 ½ out of 5
Master and
Commander: The Far Side of the World
Successful
adventure films depend on how well the audience gets sucked up
into the world that is created for them. They need to buy into
this new reality and feel that shared sense of adventure. The
best adventure films took this concept to whole new levels, and
Master and Commander is no exception. Peter Weir is a
genius at creating new and exciting worlds and realities and
fully immersing his audience into them. And Master and
Commander is his biggest success. After seeing this the
first time, you will feel that shared sense of adventure and
truly come out of it with a sense of what life was like for
these brave and loyal sailors. The charming and brilliant work
of Russell Crowe anchors this movie. The film hinges on the
loyalty and respect shown to him by his crew, and Crowe makes
you believe that these men would follow him to the depths of
hell if necessary. He is simply magnificent, as is this grand
adventure set on the high seas. 4 out of 5
Bad Santa
This is an
utterly nasty, completely over the top, blazingly sarcastic, and
probably the funniest film of the past five years or so. Let me
forewarn everyone, this is only for adults and only for adults
with a certain sense of humor; a very sarcastic, dark sense of
humor. Billy Bob Thornton turns in a no-holds barred, fearless,
nasty performance as the title character. It is the funniest
single performance I have seen in years. He is really that
hilarious, and this film is really that funny.
Thornton’s complete buy-in to this guy’s utter nastiness and
distaste for all things nice is what makes the film so funny. I
laughed out loud for almost the entire film (and that never
happens). The script is brilliant, the supporting cast is great,
and the score is perfect, but
Thornton
steals the movie and makes Bad Santa a comedic classic.
But remember, not for everyone (I mean that!). 4 out of 5
The Haunted
Mansion
It’s a harmless, fairly entertaining, and somewhat funny. There
is one truly scary and original scene that I loved (in the
crypt, which may be too scary for little kids) and there were a
few funny lines delivered by Eddie Murphy (that do not make up
for his complete lack of career control), and that is really
about it. The script is very generic and the supporting cast is
not very good (everyone is collecting a paycheck), but this
isn’t the worst film ever made or anything. It is just
unoriginal and made mostly for 12 year olds (who probably won’t
even like it all that much). Eddie Murphy needs some serious
career counseling (unless all he cares about is the cash, which
he should keep doing what he’s doing then).
2 out of 5
21 Grams
Deeply felt,
powerful drama with three amazing, Oscar-worthy performances,
21 Grams is a brilliant meditation on loss, grief, guilt,
and redemption. It’s phenomenal independent filmmaking. Sean
Penn turns in another outstanding, powerful performance and
Benicio Del Toro is just riveting in the best role of his
stellar career. Naomi Watts steals the film with her searing,
soul-stirring turn as a woman overcome with grief and sorrow.
This is her star-making, breakout performance that will be
rewarded come award season. Her desperation and sadness are
simply wrenching, and is almost too hard to watch at times.
Director Alejandro Gonzalez Iñárritu, highlighting the overall
themes, masterfully puts the film together. 4 out of 5
The Missing
This is an
engrossing and emotionally resonant Western with two outstanding
performances and strong, masterful direction from Ron Howard.
The Missing has a very dark and dramatic tone to go along
with the dark and dramatic script, also with areas of mysticism,
religion, and riveting action. Howard does a terrific job at
capturing this tone and maintaining a tight pacing,
interspersing the film with potent family drama, exciting action
scenes, and frightening scenes with the kidnapper and his
victims. Cate Blanchett is amazing and award-worthy (you will
see her up there as a nominee) and Tommy Lee Jones gives another
terrific performance. Jones plays the same type of character he
always plays, but it works so well in this setting, it feels
like his best work.
The supporting cast is also excellent,
especially Rachel Evan Wood (Thirteen) who plays the
kidnapped child. The only problem with the film is the very end
(I mean the very end, the last three minutes), which feels
unnecessary and takes a bit away from the film as a whole. Some
critics are ripping the whole film based on these last three
minutes, which is just ridiculous. It is a bit of a let down,
but the previous two hours are so magnificent that they don’t
diminish the film much. If you enjoy darker, dramatic stories
and happen to be a fan of the Western genre, you will absolutely
love this film. Even if this isn’t your cup of tea, see it for
the great performances from two of the best out there. 4 out
of 5
Film Quickies
at the Video Store
Equilibrium
is
an entertaining science fiction, action film with an interesting
(if not wholly original) premise and an intensely strong
performance by Christian Bale. Bale’s transformation from a man
without emotion to one overcome by it is simply riveting.
Interspersed throughout, are some of the best and innovative
action scenes since The Matrix. There is a piece of the
plot that must be bought into to truly enjoy the film, that even
though everyone’s emotions are suppressed, they still have
emotions, just not the extreme lows and highs (you will
understand this after you see it). 3 ½ out of 5
My Rating –
City of
Ghosts
is a strong
directorial debut from Matt Dillon, with some very good
supporting performances and a very suspenseful story. It is
extremely atmospheric and a rich film with beautiful locales and
an intoxicating, exotic mood. The only major problem I had with
the film is the casting of Dillon himself as the lead. If he had
given the lead to a stronger dramatic actor, this could have
been one of the best of the year. 3 out of 5
Eight Crazy
Nights
– I want my $4 back! Maybe I should go find Adam Sandler and ask
for it back. This is the worst animated film ever made (it just
has to be). I can’t imagine what Sandler and his buddies were
thinking with this load of garbage. Please do not rent this, in
fact, if you see it in the rental store, knock it over. 0 out
of 5
Blue Car
is a disturbing, creepy, and original independent film about the
vulnerability and ignorance of youth and the adults who want
that back. It also features very strong performances by the two
leads and an outstanding script highlight this disturbing tale.
One of the best independent films of the year. 3 ½ out of 5
Winged
Migration
is a riveting documentary with some of the most beautiful images
of nature ever captured on film. Who would have thought a film
with almost no dialogue and completely based on migrating birds
could be so captivating and stirring. The filmmakers actually
flew right along with the birds inside gliders and other
contraptions to capture these astonishing scenes. And they truly
spanned the globe to tell their story. This is really a film for
nature lovers, but I think anyone who gives this film a shot
will be fascinated. 4 out of 5
Dumb and
Dumberer: When Harry Met Lloyd
– OK, I am a huge, huge fan of the original, it is one of
the best comedies of all time. And this is just sacrilege. This
is one horrid wretch of a comedy; there are maybe two or three
‘sort-of-funny’ moments (only because they recall the original).
Do not waste your time or money on this smelly garbage. 1 ½
out of 5
The Santa
Claus 2
is a completely harmless, somewhat brainless, and sometimes
heart-warming sequel to an average but entertaining original.
Tim Allen reprises his only live action role that has ever been
successful; I mean can you blame him? Most of the story is
generic and obvious, but Allen has a certain charm that wins
over. The one thing that bugged me was the fake Santa, which is
strangely creepy and out of place (it looks like it should be in
a Cronenberg movie or something). 2 ½ out of 5
My
recommendation for today:
X2
– For fans of comic based films, it doesn’t get much better than
this. This action-packed, character oriented sequel is even
better than its already superb predecessor. X2 expands
upon the main characters of the first film and brings out some
interesting and exciting new characters. Hugh Jackman is
fantastic again as the tough and charming Wolverine and Ian
McKellen is again perfectly suited for Magneto. I am one of many
eagerly awaiting the third entry in this fantastic series.
Talk to you
again soon,
Greg
Malmborg
gregm99@hotmail.com
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