First, let me say
I really enjoyed the original Austin Powers movie.
The sequel came out and I enjoyed it as well, but not very much.
It had some problems, despite being very funny. With a record of a $70
million dollars opening weekend for Austin Powers in Goldmember, I would
not be surprised to see a fourth Austin Powers
adventure/disaster down the road. I love humor and know funny
movies when I see them, so don't take this the wrong way, but the
third installment of Austin Powers is bad.
Goldmember does not feel like a movie. It's the needle in the haystack. Mike Myers collaborates with Michael McCullers
on the script once again. Both sequels
feature a different kind of humor, despite
rehashing old jokes, which, surprisingly, works most of the time.
Here is
the problem I have with the sequels: They lack the original
movie's sense of ingenuity.
This paragraph
contains spoilers regarding a plot twist.
International Man
of Mystery was a first-rate comedy that, even though its
jokes consisted primarily of toilet humor, was well directed,
acted, and written. The acting is the second problem I have with
the sequels, but primarily with Goldmember. When I saw
Mike Myers as Dr. Evil this time around I could not believe how
badly he screwed up. More and more, Dr. Evil and Austin Powers
become the same person. They share almost the same laugh, their
behavior and manner has intertwined, and their distinct accents have almost
completely disappeared. All this might make perfect sense at the
end of Goldmember, and we find out that the two are
brothers, but this plot twist is too easy of a way out to
justify the deteriorating ability of Mike Myers to stay in
character.
The best thing about
this trilogy are the jokes. Goldmember
uses some of the same jokes that surfaced in its
predecessors. For example, the scene featuring Clint Howard
describing what he sees in front of the radar monitor is re-used
here, however, it isn't as drawn out like in the previous two
(perhaps because melons are the subject - an "oh so" taboo
in our society). There are more jokes, including the infamous, yet
usually funny dick and fart jokes, many of which are
subliminally hidden, the "play on words" jokes, such
as "fook me" and "fook
yoo," and an assault of completely random jokes and scenes,
which has become a trademark in itself.
Now then, what is
Goldmember about? If I only knew. On a superficial level,
it's about two things: a) the kidnapping of
Austin's dad Nigel and the commanding rescue, and b) thwarting
an evil plan to destroy the world (Dr. Evil and
Goldmember share the same plan, apparently). On the contrary,
however, Goldmember
is a masquerade for pure randomness, a lack of originality,
and laughter.
Remember Dr. Evil
singing his version of Will Smith's "Just Two of Us"? Here he
sings his version Jay Z's "Hard Knock Life". It's
funny to watch, but the accompanying images that play over Dr.
Evil's voice make it feel like a music video. Does it get worse
than this? You bet. One subplot of Goldmember is the
"movie" inside a movie. It doesn't work at all and
seriously deters from the subject that an Austin Powers movie
should be about - namely Austin Powers himself. Another subplot, a
sentimental one, mind you, involves the negligence Austin
receives from his dad Nigel (Caine). It doesn't work as well as
the filmmakers hoped it would. A third subplot is concerned with
the "time traveling" introduced in Spy, but
here it's just
another tired plot device to keep the film moving.
Now then, who else
stars in the film? Beyonce Knowles plays Foxxy Cleopatra who is some kind
of secret agent. Michael York is back as Basil and so is Dr. Evi's entourage, primarily Number 2, Frau, Scott, and Mini-Me
(Verne Troyer is probably the best among everyone else as his
character goes through a major switch). Fat Bastard is back and
ready to release his silent, deadly farts. Then there is
Goldmember himself. He immigrated to New York City from Holland
and likes to eat his skin from time to time. He supposedly is a
villain, but never feels like one.
Despite some great
laughs, Goldmember is a disappointment. Mike Myers needs
to reacquaint himself with the word originality and look
up the meaning of sell out. Many people will appreciate
Goldmember for its hilarity, but every comedy
requires more than just that!