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Barbershop
(2002) Starring:
Ice Cube, Cedric the Entertainer, et al.
Director: Tim Story
Rating: PG-13
Studio:
MGM
Review
Posted: 9.18.02
Spoilers:
Minor
By
Harvey S. Karten.
Back in the days that New York cab
drivers knew how to get to Grand Central Station and the Mach 3
razor blade had not been introduced, shaving was a matter of
scrape and pull, scratches and styptic pencils. If you wanted
the job done right, you went to the local barber shop, walking
past the now almost defunct red-and-white totem signifying that
even further back, barbers were surgeons. Little kids would look
in awe as their parents would say, "Gimme the works," and while
the older ones relaxed under hot towels, they talked politics
with their barbers. Nowadays it seems that people are going
either to hairstylists, paying up to $200 for a fancy cut, or to
the neighborhood guy as they used to, but Playboy Magazine has
taken the place of the Daily News, the Daily Mirror and the
Journal American which used to be available each business day,
and the talk is more about Al the bookie than about Al Queda. Is
that the way you barber shop seems?
Not so in Chicago's South Side,
where an all-black clientele take their chances with an uneven
assortment of tonsorial talent. In Tim Story's "Barbershop," a
cross section of the community patronize a place owned by Calvin
Palmer (Ice Cube), a shop whose ample size belies its financial
condition. Customers are not leaving the tips they used to
leave, and Calvin's late father ran the place into the ground by
giving away too many free haircuts. Calvin is threatened with
seizure of the place for nonpayment of taxes, and in a moment of
despair sells the shop for $20,000 cash to the local loan shark,
Lester Wallace (Keith David).
What transpires during the course
of this sweet ode to community living is slapstick comedy,
thankfully not of the toilet variety but silly nonetheless
including the theft of an ATM from the local Indian merchant by
the obese JD (Anthony Anderson) and his partner Billy (Lahmard
Tate). Seeming to come from another movie but merging at its
conclusion, the thieves spend most of the single day covered by
Mark Brown, Don D. Scott and Marshall Todd's screenplay trying
to pry open the metal monster. While the slapstick criminal
action opens the film, Tim Story might have done better by
concentrating wholly on the action within the barber shop at the
risk of having the production come off as a filmed play.
"Barbershop" could be looked upon
as a mostly entertaining, sometimes funny, and at best sweet and
sentimental story about the tensions created within the place by
people whose opinions run the gamut of fairly conventional
politics and whose relationships with the opposite sex are
likewise conventional or at least a reflection of the way real
men think they should talk about women. Terri Jones (played by
Eve) must decide whether to get rid of her two-timing boy friend
once and for all, and of course the audience roots for her to
show the guy the exit. Rick (Michael Ealy) risks being framed
for a theft to serve a life sentence as a 3-time loser. Isaac
(Troy Garity), the shop's white barber who feels an affinity
with the rest of the group because he has a black girl friend
inevitably gets into a scuffle with another who advises that
"the white barber shop is uptown." Dinka (Leonard Earl Howze) is
a Nigerian who appears clueless and asks advice on how to make
it with the women. Jimmy (Sean Patrick Thomas) is using his
earnings as a barber to work his way through college and, as the
most educated of the group is looked upon as patronizing. (He
gets his comeuppance when he errs on the proper categorizing of
scallops.)
Two performers stand out. One is
Ice Cube, a former rapper, who ironically tells the others to
"stop cussin." Cube gives a low key performance which is a gem
simply because so many of the others are shrill and off the
wall. However in the role of an aging barber with no customers
but with a helluva lot of political opinions, Cedric the
Entertainer, the show stealer in the regrettable movie "Serving
Sara," steals yet another by putting down the likes of Martin
Luther King Jr., Rosa Parks and O.J. Simpson (while stating that
he would never say these things in front of whites).
The film's message seems to be not
so much "make something of yourself," but "do what you really
like to do." From the way these fellas look forward to each
day's work despite their barely scraping by, we see how much
they care about one another and we root for Calvin to do all he
can to save the store.
Rating: 3 out of 4
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