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Blind Spot: Hitler's Secretary (2003)

 

Starring: Traudl Junge
Director:
Andre Heller, Othmar Schmiderer

Rating: PG

Studio: Sony Pictures Classics

Review Posted: 3.11.03

Spoilers: Minor

 

By Sara M. Fetters.

 

"Nazi Germany as Seen Through a Blind Spot"

 

To say Adolf Hitler is the most reviled person in modern history probably isn’t stretching the point too far. The leader of Germany and the Nazi party, he is responsible for the single most egregious case of mass genocide in recorded human history, ordering the imprisonment and slaughter of more the six million Jews. A master of public relations, Hitler enraptured an entire country and led his country into the morass of World War II.

 

This is nothing new, nothing most of us have not heard before. Basically, long story short, Adolf Hitler was a not very nice guy and his level of homicidal mania and madness will hopefully never be seen again.

 

But what if you were there? What if you saw the nationalistic passion sweeping across Germany? Would you get caught up in it, too? Could you ignore the hateful messages dripping from every one of the Führer’s words? And, if so, could you ever forgive yourself for doing so once discovering the true account of all Hitler ordered and the fates of the six million souls he passed judgment on?

 

Traudl Junge could not. For 55 years she kept all she knew of Hitler to herself, having intimate knowledge of the man himself as he was outside of the public glare. How did she have this knowledge? From 1942 to 1945, Junge was Adolf Hitler’s personal secretary, and as such was witness to his final days as the Allies closed in upon them and as the Third Reich began to crumble.

 

In 2001 filmmakers André Heller and Othmar Schmiderer had the opportunity to sit down with the reclusive Junge. She was finally ready to reveal all she knew and the documentary Blind Spot – Hitler’s Secretary is the fruit of those interviews. But while I would like to report that Junge’s chronicles of her time working for the Führer is fascinating must-see viewing, the secretary’s story only partially resonates, most notably during the last third when recalling those last few days before Hitler took his own life.

 

The entire film is made up of face-to-face interviews of Junge at her home at her German residence. The filmmakers distilled over ten hours of footage into a stream lined and air tight 90-minute documentary. There are no shots of the sites or places Junge describes, no images of what was going on during the time, just a one camera shot of the elderly woman as she struggles to retell her tale to the documentarians. It is a surprisingly brave choice by the duo to let Junge – and only Junge – tell her tale in this fashion. But while there is undeniable power in watching the fragile woman retell her tale through teary eyes and clenched fists, it is also true that some of her tales are, well, boring.

 

In fact, the first half of Blind Spot is quite uninteresting. Junge tells stories of Hitler playing with his dog Blondie, about how he was uncommonly courteous to her and the other personal secretaries and that he treated her with such kindness she started to look upon him as the father figure she never had. Listening to it all, I started to think life at Hitler’s field headquarters in East Prussia – Wolf’s Lair – was all moonlight walks and frolicking with puppies. If only that pesky war didn’t keep getting in the way.

 

Seriously, though, Junge’s tales do soften to German leader in many respects, and that really is horrifying. It’s hard to think of Hitler as a human being, but with this film and the recent John Cusack film Max it is as filmmakers are forcing the issue. Which, really, is a good thing. Monsters do not come from the womb fully formed, they are created over many years, and to see Hitler in this light makes all that he did all the more hideous. This was a man who could play with dog as easily as ordering the slaughter of millions. It is the type of image we like to make fun of in James Bond movies, not find out that madman such as they really did – do – exist in our midst.

 

What ultimately makes Blind Spot worth seeing and remembering are Junge’s recollections of the final days at Wolf’s Lair. Equal parts tragic, ugly and sickening, watching the woman painfully exhume memories long buried makes the banality of some of what came earlier seem so much more potent. These moments just weren’t the last of an unhinged madman and his wife, Ava Braun; they were also the last dying breaths of a Nazi ideology coming to a close.

 

It is here that Hitler dictates his final his final will and testament to Junge. It is an eerie moment watching the old woman resurrect these demons. The hate-filled vitriol she was asked to write down and send out to the world crystallize the image of Hitler as we now know it – an inhuman demon with a mind focused on bending the will of all around him, even in death, to his corrupting influence.

 

For Junge, even 60 years later she still has trouble forgiving the 22-year old woman she once was for being seduced by that influence. Decades worth of self-loathing and feelings of responsibility so obviously consume her. Yet, it is hard to join Junge in her own self-condemnation. She may have been charmed by the most abhorrent evil influence the world has ever known, but then, so was an entire nation.

 

Rating: 3 out of 4

 

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