Mark "Chopper" Read is Australia's most notorious career
criminal. He has also achieved status as one of his country's
best selling authors. His autobiography, called "From the
Inside", has sold over 250,000 copies and he possesses an
unusually strong cult following. Read currently lives in rural
Tasmania.
Based upon the aforementioned book, Andrew Dominik's movie about
the infamous serial killer isn't so much a biography as a
blistering satire showcasing a man who inexplicably meshes
sadism and charm. He commits heinous acts, can somehow endear
himself to a jury, and pens books with titles like "How To Shoot
Friends and Influence People".
I've heard and read comments from individuals who decry the film
for its depiction of Chopper Read, showing him more as an
engaging eccentric than a vicious murderer. One reviewer claimed
the movie attempts to justify his fame. However, Read was
already well-known in his native Australia long before Andrew
Dominik's darkly comic script began to materialize. Based on
that, the approach taken here is actually rather optimistic, as
it tries to uncover the source of what makes him fascinating to
so many. A more cynical take would simply dismiss his "fans" as
bloodthirsty pinheads. There has to be a reason, Dominik seems
to be arguing, so let's try to find it.
Australian stand-up comic Eric Bana portrays Chopper as
inherently vicious, but also funny ... and charming, and sad,
and angry, and histrionic, and even brooding and introspective
at times. His performance is a multi-faceted masterpiece, daring
a viewer to formulate an opinion, then challenging that opinion,
then challenging it some more.
The movie consists of two main segments. The first half takes
place in 1978 and shows Read serving time for kidnapping a judge
presiding over the trial of his best friend, Jimmy (Simon
Lyndon). After being taunted by a fellow inmate, Chopper seeks
revenge (and gets it in bloody fashion.) He is subsequently
betrayed by a close ally, survives the attack, but now realizes
he needs to watch his back. To obtain a transfer into a separate
wing, he engages in a skin crawling bout of self-mutilation.
The film's second half follows Chopper after his release years
later. He's a few pounds heavier, is decorated with mounds of
tattoos, and has lost several teeth but not his unusual sense of
humor. He is still seeking vengeance for the prison betrayal,
but finds time to spend with his hooker girlfriend, Tanya (Kate
Beahan). Her attraction toward drug dealer Neville Bartos (Vince
Colosimo) places both of them into the crosshairs of Chopper's
fury.
The movie's genius lies in its resistance to bowl an audience
over with a clear cut message. Instead, Dominik and Bana have
created a film that invites strong opinions and facilitates even
stronger discussions. The movie, like its lead character, is a
gleeful contradiction. At various points in the story, Chopper
seems to feel genuine remorse for his violent acts, yet he still
wastes no time in committing them if he feels the need. (One
scene has him firing a bullet into the belly of an enemy, then
curiously driving him to the hospital.) His proclivity for
killing isn't the result of self-loathing or a retaliation
against a painful childhood; it just makes sense to him. The man
can be a tornado of ferocity one second, witty and charming the
next. He can be remorseful sometimes, and can manage broad
smiles for TV cameras at other times. The man is a true enigma,
impossible to comprehend, and the movie wisely doesn't make an
effort. To make a definitive statement about Chopper Read would
rob the film of its ability to bend and twist a viewer's
perception.
I get a kick out of people who convey their shock at the
nation's fascination with killing. A cloud of pomposity hovers
over such statements. Saying you're shocked at young people's
interest in such things doesn't make you moral, it just makes
you blind. And it doesn't make young people killers, either. If
anyone reading these words can think back through their entire
lives and not come up with a person or two whose
eradication wouldn't have been a tremendous societal loss, then
you're a better human being than me. When I compare the number
of people who actually die with the number of intolerable
asinine twits roaming around the world, the greater volume
always seems to rest with the latter. Yes, murder is immoral,
illegal, and sickening. Yes, Read was perhaps the most ferocious
of criminals. And yes, I believe if we lived in a bizarre
parallel universe where killing wasn't illegal, guys like Mark
"Chopper" Read would be the life of the party.