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Collateral
Damage (2002)
Starring:
Arnold Schwarzenegger, Francesca Neri, John Leguizamo, John
Turturro, Elias Koteas, Cliff Curtis
Director: Andrew Davis
Rating:
R
Studio:
Warner Bros.
Review
Posted:
2.13.02
Spoilers:
Minor
Rating: 2.5/4
By
Craig Younkin.
There
are two modes for Arnold Schwarzenegger. One is the wise
cracking last action hero type from "The Terminator"
and "True Lies", and the other is the corny and caring
father figure whose family is always in need of saving or
avenging. Not saying that the later isn't at least watchable,
it's just that Arnie really needs to return to the former very
soon.
With the way action movies are today, computers and all kinds of
other special effects are taking the place of simple stories;
and being that even the scripts for many of Schwarzenegger's
last projects have been fairly mediocre, this puts him at even
more of a disadvantage.
This takes us to "Collateral Damage", which is another
simplistic action film, but is also a story that many people can
identify with now after going through the events of September
11th. The film has recently been held under fire by activist
groups claiming it exploits those events, and from the way fear
and sadness suddenly creep up on you in the film's opening
scene, you begin to see their point.
That scene would be a terrorist attack on U.S. soil where many
are left dead, including the wife and young son of Fireman
Gordon Brewer (Arnold Schwarzenegger). They are known as
collateral damage, unintended targets at the wrong place at the
wrong time. The real targets are a group of CIA men who have
counterparts down in Colombia regulating Guerilla warfare.
Later we find that the bomb was planted by a Guerilla named
Claudio Perrini (Cliff Curtis), a terrorist looking to get those
same American soldiers off Colombian soil by attacking the U.S.
The bombing sends a scare through Washington, forcing the CIA's
lead agent, Peter Brandt (Elias Koteas), to pull his men out.
Only before he just gives in, he is given a bit of luck when the
vengeful Gordon Brewer, told that avenging his family was not a
high priority for the government, finds a back way into Colombia
to handle the terrorists himself. It doesn't take long for his
presence there to spread and before he knows it, the Guerrillas
are trying to track him down for ransom and the CIA is waiting
for him to get killed so they have reason to attack.
The script, by David and Peter Griffiths, sets up an interesting
premise, but then can't exercise it to full potential. Arnold's
stint in Columbia feels like a rather needless venture, first
because the film's really intense stuff happens later on in
Washington, and secondly because the Griffiths end up just
padding the story with different clichés that mean nothing,
rather than focusing more on the subjects of collateral damage
and revenge.
The right script is still out of his reach, but this is a mild
step up from many of his other films, mainly because he still is
one of the most cool people in movies today. Director Andrew
Davis also knows how to litter a film with exciting chase
sequences and a high explosion count, even though many of the
action sequences feel like they're being taken out of other
movies including Davis' "The Fugitive" and "Predator".
Arnolds acting also seems better here, capturing the monotonous,
but equally effective, grieving and vengeful family man. Cliff
Curtis matches him with a sneering and over the top bad guy
impression. The film also features two talented actors, John
Turturro and John Leguizamo, who could easily walk through their
roles in their sleep. The only one who doesn't belong here is
Francesca Neri, who plays the terrorist's wife, but looks to
have just stepped off the cover of Maxim magazine.
"Collateral Damage" may not be the script that saves
Arnolds career, and it will likely disappoint those looking for
a more in depth look on terrorism, but there are portions to
this film that echo back to the Arnold of old. At best,
Collateral Damage is nothing but a rainy day movie, but it's fun
for what it is and it should give Arnold's career a stay of
execution.
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