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Good bye,
Lenin!
(2003)
Starring:
Daniel Brühl,
Katrin Sass, Chulpan Khamatova
Director: Wolfgang Becker
Rating: R
Studio:
Sony Pictures Classics
Release Date:
02.27.04
Review
Posted: 04.12.04
Spoilers: ?
By
Howard Schumann
The words German
and comedy don't often fit together, but Good Bye, Lenin! is an
exception, a stinging political satire that shows the impact on a
close-knit East German family of the events that shook Germany to its
foundations in 1989. The film, which won nine prizes at the 2003
German Film Awards, including best director for Wolfgang Becker, and
best actor for Daniel Brühl, interweaves comedy with a message of
political change and the story of a boy's love for his mother, an
unusual brew for those accustomed to Hollywood romantic comedies that
often seem to take place in a vacuum.
The film opens in East Berlin in 1978.
Christiane (Kathrin Sass), a pre-school teacher, is questioned by the
secret police about her husband Robert (Burghart Klausner) who has
defected to West Berlin. After emerging from a long period of
depression that distances her from her son Alex and daughter Ariane,
she becomes a dedicated Socialist, working to improve the conditions
of ordinary people, especially children, and writing letters
complaining of the poor quality of East German products. We then jump
ahead ten years to the autumn of 1989, when Christiane suffers a heart
attack that leaves her in a coma for eight months, after witnessing
her now twenty-year old son Alex (Brühl) being arrested in a street
demonstration promoting reunification.
When she wakes up from her long sleep,
the German Democratic Republic (GRE) is no longer a political entity,
the Berlin Wall has been torn down, and President Honecher has
resigned. Alex is now a satellite dish salesman with a Russian
girlfriend named Lara (Chulpan Khamatova). His sister Ariane (Maria
Simon) works at Burger King. The doctors warn Alex that any sudden
shock could be fatal to his mother's health, so he decides to pretend
that the world is exactly the same as her mother remembers. He then
recreates a pre-1989 world to the finest detail, fixing their
apartment with the same drab furniture exactly the way she remembers,
and scouring the garbage bins to find East German bottles and labels
that he can fill and pretend they are her beloved Spreewald pickles
and other unavailable GDR products.
The most audacious deception occurs
when Alex enlists his colleague Denis (Florian Lukas), a budding
filmmaker, to shoot their own fake news reports for Christiane to
watch on TV, mimicking the style and language of the official state
newscasts of Aktuelle Kamera. The façade of lies threatens to crumble
when Christiane sees a huge Coca-Cola sign and when she watches West
German posters and cars in the street from her window. Alex, keeping
the charade going, explains that the East Germans invented the formula
for Coke which was stolen by the West, and that West Berliners are now
taking refuge in the East by the thousands. Ultimately however, Alex,
a staunch supporter of Western-style living, begins to look back with
nostalgia on the old GDR regime. He longs to return to a past that
never was, admitting, "the GDR I was creating for my mother was more
like the GDR I would have wished." The fantasy he has created becomes
more his own wish fulfillment than a protective cover for his mother.
Although I recognize that a German
audience might appreciate its political subtleties a bit more, Good
Bye, Lenin! still won me over with its thought-provoking story about
the strength of family that transcends political boundaries and
ideologies. The film strikes a light-hearted balance in its portrayal
of East and West, showing both the freedom of the West along with its
crass consumerism, and the social awareness of the East along with its
rigid bureaucracy in which idealism is a dirty word. While the premise
of the film often strains credulity, issues of plausibility can be
overlooked because of its overriding sincerity and humanity.
Film
Grade: A-
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