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K-19: The Widowmaker
(2002) Starring:
Harrison Ford, Liam Neeson, Peter
Sarsgaard
Director: Kathryn Bigelow
Rating:
PG-13
Studio:
Paramount
Review
Posted: 7.25.02
Spoilers:
Minor
Rating: 6/10
By
Justin L. Bishop.
I've been trying to pinpoint the exact thing that went
wrong with K-19: The Widowmaker for the last couple of
days, other than the obvious
fact that it has one of the worst titles in movie history. I
walked into the movie with a lot of anticipation, and yet when I
walked out, I felt that I'd been cheated. I was disappointed to
say the least.
I attempted to write
a review of the film last night, only to realize that I didn't
know what to say about the movie. I couldn't really recommend it
because, like I said, I was disappointed by it. But then,
thinking about the movie, I knew that it wasn't exactly a bad
film. Then, earlier this afternoon, it hit me.
My problem with
K-19 was not in the film itself, but in the way that the
film was presented. Look at the poster for the movie ( click
here to see it) and
notice a couple of things about it. First of all, Harrison Ford
hasn't looked like that since Indiana Jones and the Temple of
Doom. But that's just a nitpick. Look at the tagline. "Fate
Has A Hero"?
Anyone who's seen the
movie is going to know that Ford's character, Captain Alexi
Vostrikov, is far from a hero. He's disliked by his entire crew.
He's a hard ass. He's strict. He's downright mean at times. Just
because he's the main character in the film doesn't make him the
"hero." Apparently whoever was in charge of the advertising
campaign for this film hadn't even seen the movie.
But of course, the
trailers were misleading too. They showed us the Second Coming
of Das Boot. They showed us thrilling action sequences,
complete with all of the clichés that we'd expect from a
submarine movie, such as torpedoes (not one is fired in the
actual movie), diving to crush depth, full speed ahead and all
that jazz. And you know, that would've been all fine and dandy
had this been an actual thriller. But alas, it isn't.
However, at times it
seems that it tries to be a thriller. The first hour of the
movie consists of little more than drills and tests that do a
pretty good job of disguising themselves as tense and thrilling
situations. But once you really think about it, you realize that
there's no danger at all and then you scoot back off of the edge
of your seat because it seems pretty stupid to be worried about
what essentially amounts to a whole lot of nothing. The truth
is, this is a political drama with little bits of action thrown
in -- I can only assume -- to make it a bit more commercial.
Any suspenseful
aspect that the movie may have possessed it killed by the fact
that it's "inspired by actual events" (which is to say, it's
kind of based on a true story but fictional liberties have been
taken with it to make it, yet again, more commercial). The fact
that the events in the film took place 40 years ago, and did NOT
start WWIII sort of gives away the ending doesn't it? We're all
still alive. We're not glowing in the dark or sprouting third
eyes. Suspense flies right out the window when you look at it
that way.
Ford and Neeson do
what they're supposed to do in the film and they both do an
above par job at it. Both are very strong in their roles... and
those Russian accents? Well, to me they weren't distracting one
bit. They're not thick enough to be unintelligible, but just
there to further enhance the realism of the film. Both of these
actors' performances are worthy of praise and are worth the
price of admission to the film. Most of the true tension in the
film has nothing to do with torpedoes and crush depths, but is
between these two men, different sides of the same coin.
After the pointless
first hour is when the real plot of the movie begins and there's
a breakdown in the sub's nuclear reactor. The better part of the
next hour is spent trying to repair the damage, which involves
crew members being forced into being exposed to raw radiation,
which of course, is bad. As suspenseful as these events could
have been, they weren't. I found myself being bored on more than
one occasion and was only drawn back in by scenes with Ford and
Neeson.
Towards the end of
the film, there's even a nice little twist, but it really leads
nowhere. However, it serves it's purpose to offer a little bit
of suspense in a film that seems to have forgotten all about the
thrilling aspects of a thriller.
After all is said and
done, K-19 delivers absolutely nothing close to what the
advertising promised, something that's become an annoyingly
growing trend nowadays. I walked into the theater expecting
another Crimson Tide or Hunt For Red October.
Submarine movies have the built-in potential for suspense.
They're claustrophobic (there's only so many ways that a camera
can move inside of a sub) and tense because they involve men in
life-threatening situations who are usually far from home and
often times under thousands of tons of water. And while K-19
had the same sort of situations, somewhere along the line it
fell short and lost it's suspense. This isn't Crimson Tide
and definitely not Hunt For Red October and it doesn't
even deserve to be mentioned in the same sentence as Das Boot.
As a thriller,
K-19 fails. As a political drama, it had all the potential
in the world to succeed. Unfortunately, somebody sitting in an
office somewhere decided that it'd be best to deceive the public
into thinking that they were seeing another submarine action
flick when they were getting the absolute opposite. Maybe if I'd
been in the mood for a political drama, I'd have enjoyed K-19.
As it were, I was as deceived as everyone else by the studio and
walked out very, very disappointed.
One last note: I've
got to applaud director Kathryn Bigelow for not Americanizing
this movie. When you've got a story that pretty much puts
Americans as the bad guys, it takes balls to pull it off,
especially in this day and age. In fact, Americans are only seen
in a single scene and only from a distance. Good directorial
choice. It'd be nice to see more directors take this bold
approach. I only wonder what the reaction to the film will be if
and when it eventually makes its way to Russia. Time will tell.
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