“My name? If
you knew that you’d be as clever as me.”
Daniel Craig (Road
to Perdition, The Jacket) plays the man billed only as XXXX, an
unnamed hero and consummate professional. XXXX is part of the drug
underworld of the UK, a commodities trader of sorts who does not see
himself as a gangster at all. He is a businessman, concerned only
with his own security and his own bottom line. He has no interest in
the gangster lifestyle; in fact, he looks down on it, a dead-end
lifestyle practiced by a rare few. There is an interesting moment in
Layer Cake where Gene (Meaney), an old school criminal who
knows everyone and has seen it all, opens his freezer and shows XXXX a
dead body. “That’s what playing gangster will get you,” Gene says.
The Duke (Jaime
Foreman) is playing gangster. He robs a Dutch crime boss of a large
cache of ecstasy and is in way over his head. We only have to look at
Duke to see what a lightweight he is: phony swagger, big talk,
gangster movie cliches, but none of that makes him any less
dangerous. When the robbery goes bad, even Duke can see that he is in
over his head. He get paranoid, and he needs to unload the E most
riki tik, and that is where XXXX comes in. He is looking to retire,
but before than can happen he is asked for two favors by crime boss
Jimmy Price (Kenneth Cranham). Duke, playing well out of his league,
has made living very dangerous for everyone, and XXXX must negotiate
the sale of all the ecstasy and smooth over everything.
The other part
of the deal is that XXXX must also locate the missing, drug addled
daughter of one of London’s more powerful criminals, Eddie Temple
(Michael Gambon). Eddie looks at XXXX as a younger version of
himself, a young guy coming up, paying the same dues required of
everyone else. He has a better sense of where XXXX is heading than
the man himself, and that puts him at an advantage, an advantage he
relishes. Eddie knows where his daughter is, and he knows that the
so-called search and the ecstasy deal are all moves by Jimmy to get
XXXX out of the way, to make an example out of him.
Layer Cake
is a dense, novelistic film that takes it time letting the story
unfold and allowing us to find the characters. The film moves
leisurely, and at times feels quite a bit longer than its (roughly)
one hour and fifty minute pace. Originally written - by J.J.
Connolly, author of the novel on which the film is based - for Guy
Ritchie to direct. Ritchie proved unavailable, and the directing
duties fell to Matthew Vaughn, a first timer at directing who produced
Ritchie’s Snatch and Lock, Stock and Two Smoking Barrels.
To look at the film, one would never guess that Vaughn had never
directed. The film is more assured than typical films of its ilk; the
tone remains consistent throughout, and the acting is pitch perfect.
This film will probably never be accused of being “a genre film that
defies convention,” Layer Cake does the opposite: it embraces
its genre conventions, owning them. Vaughn and company know why you
want to see this film, and they never fail to deliver. It must be
said that Ritchie’s flash is missed in some scenes. Vaughn tells the
film in such a deliberately straightforward fashion that the flashes
of style he does interject seem out of place. The complaints here are
minor, though, the writing and performances more than making up for
the lack of directorial exuberance.
Something is
seriously wrong if Daniel Craig does not become another Jude Law or
Clive Owen after the release of this film. He gives a complicated
performance as the unnamed hero of our tale. He walks a fine line
between manipulator and manipulated, and he pulls it off stunningly.
It is never explicit just how much he is caught up in the events of
the story and how much he is driving them. Craig is surrounded by a
stellar supporting cast, not the least of which is Michael Gambon (The
Life Aquatic, Sky Captain and the World of Tomorrow, and many,
many others) as the untouchable Eddie Temple. Gambon imbues Temple
with a care free professionalism, presenting him as a man who has done
too much and come too far to take things too seriously, but also as
someone who knows how the game is played and does not play outside the
rules. Of course, it would be irresponsible not to mention the
beautiful, the ravishing, the sensuous Sienna Miller, one of the drop
dead sexiest women to grace a motion picture screen in many a moon.
Watching her on screen - which is all one can do whenever she is on
camera - one can think only two things: her performance is great, and
Jude Law is a lucky, lucky man.
As more and more
layers are added to our cake, the story heats up more and more, and
XXXX finds himself playing gangster on an ever deadlier level. It is
a game he never wanted to play, and despite his criminal leanings, he
never really puts himself in danger until he does. The stakes keep
increasing, and he finds himself in much the same position as Duke:
out of his league. It is only with one broad, bold stroke that he is
able to give himself some breathing room. He is even spared the final
irony of it all: the ecstasy never mattered in the first place.
Layer Cake
is a crime story that will be familiar to many, an age old tale of a
guy who just wants out of the life. This is a premise that has been
revisited over and over, especially in the post-Tarantino years, but
rarely as well, and rarely with as much intelligence.
Film
Rating:
êêêê (out of
5)