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Manchurian
Candidate, The
(2004)
Starring:
Denzel Washington, Meryl Streep, Liev Schreiber
Director: Jonathan Demme
Rating: PG-13
Distributor:
Paramount
Release Date:
07.30.04
Review
Posted: 07.30.04
Spoilers:
Minor
By
Rachel Sexton
A Classic
is Remade With Worthy Results
Hollywood’s love
affair with remakes seems to have kicked into high gear recently and
the succeeding films have been mixed in critical and popular
attention. The 1962 John Frankenheimer-directed The Manchurian
Candidate is revered. As just as that high opinion is, even those
who don’t think it can be equaled should take a look at the new
version. Jonathan Demme’s The Manchurian Candidate is an
utterly engrossing contemporary update of political thrills with
outstanding performances from Denzel Washington and Meryl Streep.
In today’s
version, Captain Ben Marco (Washington) begins delving into what
really happened on the Gulf War mission after a visit from one of his
fellow soldiers (Geoffrey Wright) who is now distraught and has bad
dreams. Meanwhile, now-Senator Raymond Shaw (Liev Schreiber), who
became a war hero after being awarded the medal of honor for his
bravery and action during the Gulf War mission, surprises Marco when
he announces his candidacy for Vice-President. Marco struggles to push
paranoia aside and connect the international conglomerate Manchurian
Global to his dreams/memories of brainwashing and murder. I don’t
think it would give too much away to say that Shaw’s mother, Senator
Eleanor Prentiss Shaw (Streep), is somehow involved.
Let’s start with
the script. Dean Georgaris (Paycheck) and Daniel Pyne (The
Sum of All Fears) have been given quite a challenge to update the
original script, but I think they rose to it. Instead of slavishly
following the original, today’s political climate provides the two
writers with the ideal environment to play out a different spin on the
story while still wisely retaining its frightening paranoia and
Oedipal undertones. They’ve crafted some scenes of shocking visceral
power, especially the flashbacks, and well-tuned tension, such as in
the climactic election victory scene. The dialogue is often
exceptional. On the whole, this film impresses as an authentic and
relevant cautionary tale, as evidenced by the early scene at the
party’s national convention. They also smartly didn’t reveal which
party the Shaw’s belong to, though individual viewers may recognize
certain political beliefs or agendas.
Director
Jonathan Demme (The Silence of the Lambs) has some sort of
alchemy with this material that works. He begins with the title
sequence, setting them in red, white, and blue and waving like a flag,
set to a Wyclef Jean cover of the Credence Clearwater Revival classic
“Fortunate Son.” I noticed good editing in the opening scenes, there
is outstanding cinematography throughout, and Demme also stages
sequences with a precise eye. The score by Rachel Portman (The
Legend of Bagger Vance), and costuming work is more than adequate
as well. Demme uses a couple of additional nice touches I don’t want
to give away. He also presents even the most surprising scene in a
straightforward way that becomes essential for the film’s tone.
I probably don’t
even have to mention it, given the actors here, but the performances
are Oscar-caliber. Denzel Washington is simply a craftsman, he knows
what he’s doing and he does it very well. Fear and strength mix so
well on his face, he’s perfectly cast in the role Frank Sinatra played
in the original. Meryl Streep is at this point a living legend and I
predict a nomination here. Shades of Lady Macbeth and Greek tragedy
give her a phenomenal character to play and it’s a treat to see her
play it. Liev Schreiber is surprisingly good also. I haven’t even
mentioned Jon Voight, and another standout is Geoffrey Wright in an
early scene with Washington.
Direction,
acting, and script coalesce into a standout film The Manchurian
Candidate, a worthy remake of a classic film. Its timely subject
matter and likely award-noticed performances enrich a viewing
experience that might otherwise have been a very good thriller. Only
time will tell if this film will become as important as the 1962
original.
Film
Rating:
êêêê1/2 (out of
5) | Film
Grade: A-
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