In A Talking Picture, 96-year-old Portuguese director Manoel
de Oliveira takes us on a journey through history, making us acutely
aware of our heritage and, in the process, conveying an acute sense of
what we have lost and what we have become. Part travelogue, part
comedy, and part drama, the film lulls us into a state of blissful
contentment, then hits us with a wake up call that seems culled from
yesterday's headlines. On the surface, Oliveira's 36th film
is simple, but its greatness lies in the subtlety of its
undercurrents. As we travel on a cruise ship to visit some of the most
historic landmarks on the planet, bathe in the warmth of the
Mediterranean sun, and meet some interesting people along the way,
Oliveira brings into sharp focus the treacherous nature of the journey
in which we are embarked.
Set in July 2001, an attractive history professor from the
University of Lisbon, Rosa Maria (Leonor Silveira), takes her
seven-year-old daughter Maria Joana (Filipa de Almeida) on a cruise of
the
Mediterranean from
Portugal to Bombay, India where she is planning to meet her husband,
an airline pilot. The ship travels from west to east, symbolically
depicting the direction in which the balance of the world is shifting.
Along the way, they visit the Acropolis and the Parthenon, Mt.
Vesuvius and the ruins of Pompeii, the Sphinx and the Pyramids, and
the Hagia Sophia, among others. Rosa Maria, who has lectured about the
sites but never visited them before, explains the various sites to her
attentive and inquisitive daughter who is constantly asking questions.
The little girl asks questions such as "What is a myth?", "Was
there really such a Goddess?", "What is a legend?", "What did people
do here?". Her mother does her best to interpret history and myth for
her daughter telling her stories about Prince Henry and the legendary
Portuguese King Sebastian, the mermaids who swam alongside ships to
encourage the sailors to explore the unknown, and the muse that
inspired poets. She tells her about the
Temple
of Apollo and the statue of Athena that protected the city and the
stories that accompanied the destruction of
Pompeii. Like Maria Joana we are mesmerized by
what we see, yet each scene is tinged with such a pervasive air of
sadness that it seems to suggest we are getting one last look.
The only transition from port to port is the often-repeated view of
the prow of the ship slicing through the calm waters. Along the way,
the two meet solitary travelers: an old fisherman in
Marseilles whose wife died and whose children moved away, a celibate
Orthodox priest at the Acropolis, and an older unmarried actor in
Egypt. Rosa and her daughter are the only family with children seen in
the film. The second part of the film consists mainly of a dinner
conversation between the ship's captain John Walesa (John Malkovich),
an American of Polish background and three celebrity passengers:
Delphine, a French businesswoman (Catherine Deneuve), Francesca, a
former Italian model (Stefania Sandrelli) and Helena, a Greek singer
(Irene Papas). In "My Dinner With John", the women discuss their
personal lives as well as their views on history, art, politics, and
civilization and we are treated to a lovely Greek song sung by Irene
Papas.
Each talk in his or her own language yet everyone seems to
understand each other perfectly. Soon the suave captain invites the
professor and her daughter to join the dinner group and gives the
little girl a gift of a Muslim doll with a veil over her face, making
us aware of who has not been invited to the table. From here, the film
veers in an unpredictable direction that seems inevitable only upon
repeated viewing. The camera is static throughout and since the film
is driven by ideas rather than story line or character development,
the journey at times can be a bit tiresome. Yet A Talking Picture
is a lovely film filled with moments of beauty and grace. Like the
passage of our own life, it is the totality of the experience that is
important, an experience that can only be reflected upon from a
distance and weighed in the context of the events that are
transforming the civilization and culture we once thought would never
change.
Film Grade:
A-
