|
Troy
(2004)
Starring:
Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger
Director: Wolfgang Peterson
Rating: R
Studio:
Warner Bros.
Release Date:
05.14.04
Review
Posted: 05.20.04
Spoilers:
Minor
By
Rachel Sexton
An Epic in
Every Sense, "Troy" Triumphs
Three words,
ladies: Brad Pitt’s booty. It gets a little screen time in this film
and though that may not sound like the hallmark of a five-star film,
Troy
makes it seamless. Pitt’s acting skills haven’t gotten as much press
as his looks, but I’ll discuss that later in this review. He is the
lead in this ancient epic, though it's more of an ensemble and based on
Homer’s The Iliad.
Troy
is one of the best films of the year, its script, production values,
and direction are superb, and the acting is outstanding.
A brief history
lesson: the Trojan War begins when Prince Paris of Troy (Orlando
Bloom) steals the beautiful Helen (Diane Kruger) away from her husband
Menelaus (Brendan Gleeson). Unfortunately, Menelaus's brother is high king
Agamemnon (Brian Cox) of Greece, a land-hungry ruthless leader who
employs Achilles (Pitt), the world’s greatest warrior, despite the
fact that they don’t really like each other. Agamemnon assembles the
entire Greek army with a thousand ships to descend on Troy. To capture
the city, though, he’ll have to stop Prince Hector of Troy (Eric Bana)
and deal with Achilles.
David Benioff (The
25th Hour) stringently excised major parts of the long story of
the Trojan War, starting before and ending after The Iliad
begins. A vast majority of the time, it works. The first word you
could use to describe the storyline is dramatic. Meaning you won’t
find any comedic relief here, really. The plot is interesting enough
not to need it, though. Love--romantic, familial, platonic, as well
as honor, valor, morality, and mortality are the themes that anchor
the action. I was impressed with the depth of the characters and the
romances between Paris and Helen and, more so, Achilles and Briseis
(Rose Byrne).
The characters
are also well-written because they do not follow distinct lines of
good and bad. Achilles is a killer and prone to hard-heartedness but
he can be honorable and emotional. Paris does immoral and cowardly
things but he attempts bravery, exhibits resolve, and works to redeem
himself. Also, the culture of the ancient Greeks, specifically their
belief in the pantheon of Gods, is well incorporated into the script.
The only thing I didn’t like was that the role of Cassandra, Paris and
Hector’s clairvoyant sister, was not included.
Wolfgang
Petersen’s direction is similarly exceptional. Good camera work and
angles, striking cinematography work with an even editing rhythm for a
spectacular effect. As far as production values, the tremendous budget
is clearly visible in the eye-popping sets and good costumes. The
music is also wonderful, featuring a plaintive female voice, a trend
seemingly started in Titanic.
Now for one of
the most memorable high points: the acting. Pitt, as I said earlier,
hasn’t been given enough credit for his acting. Let’s not forget,
people, he’s been nominated for an Oscar. Speaking of, don’t be
surprised if that happens here because this may just be the role that
silences all his naysayers for good. He is thoroughly convincing as a
battle-weary but still vulnerable man and you never question that he
fits into the period, which surprised me a little. Bana is strong and
consistent as maybe the most noble character. Bloom is solid as well
and he earns extra points for daring a role that the audience will
probably find unlikable. Kruger is also good and seems perfectly cast,
while legends O’Toole and Julie Christie (as Thetis, Achilles’ mother)
still impress. The only complaint may be that they aren’t used enough.
Troy
is an excellent historical epic that boasts more than effective
direction and acting, supported by a successful script. At nearly three
hours, the film still maintains not only the viewer's attention but
the viewer's engagement.
Film Rating:
êêêêê (out of
5)
Film
Grade: A
Home | Back to Top |