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MOVIE REVIEW
Veronica Guerin
(2003)
Starring:
Cate Blanchett, Colin Farrell, Brenda Fricker
Director:
Joel Schumacher
Rating: R
Studio:
Touchstone
Release Date: 10.17.03
Review
Posted: 10.29.03
Spoilers:
None/Minor
By
Rachel Sexton
"Veronica
Guerin" A Respectable, Deserving Tribute
Stories of
real people often captivate moviegoers more than the ones most
creative screenwriters come up with. There is a universal appeal
in real-life drama. The recent trend in reality shows should
tell us that. When the true story is exciting, emotional, and
heroic, audiences leave the theater satisfied. Such is the case
of Veronica Guerin. A wrenching true story and a flawless
lead performance from Cate Blanchett make Veronica Guerin
a worthy piece of work.
The real
Veronica Guerin wrote for the Sunday Independent in Dublin,
Ireland, in the early and mid-‘90s. In 1996, Guerin started
investigating the rampant drug problem that had skyrocketed the
crime rate. This eventually brought her into opposition with
drug lord John Gilligan and on June 26, 1996, she was murdered
in her car by his thugs. Mourned as a national hero, Guerin’s
death prompted changes in law and public action that Ireland
needed to combat the drug problem.
Though
Guerin’s life has been made into a film once before (1998’s
Once the Sky Falls starring Joan Allen), this film will be
more widely seen and I think Guerin’s memory is paid the tribute
it deserves.
The film’s
narrative begins with the start of the attack that took Guerin’s
life, then rewinds to show us how she got there. The early scene
in which Guerin first sees the drug-ridden neighborhood is
shocking: needles cover the sidewalk and tiny children play with
them. (If you don’t feel the way Guerin does after seeing this,
I don’t want to know you.) She soon boldly confronts known
criminal nasties on her way to the information that will show
John Gilligan (Gerard McSorley) is the man behind it all. Her
most significant and treacherous source is John Traynor (Ciaran
Hinds), a man who wears his black scowl like his black leather
coat.
Director Joel
Schumacher, last responsible for the effective Phone Booth,
has crafted one of his best here, which is saying a lot.
Checking his flamboyant tendencies, Schumacher just lets the
story unfold and injects stylistic touches where they are most
effective. For example, lighting is put to good effect in a
tense moment where Guerin is shot in the leg.
Whether you
know about Guerin’s story or not, you seem to know that the
ending of this film won’t be happy, yet Schumacher doesn’t let a
doom pervade the film’s tone. He just builds tension until the
first time Guerin and Gilligan meet face to face (resulting in a
moment of shocking and unforgettable violence) through to the
chilling murder scene.
In this
scene’s aftermath, a version of “Athyn Rye” hauntingly plays as
Guerin’s co-workers and family learn of her death and the
audience cries. The film ends the way it began; with a church
service that this time is a funeral procession.
Of the
performances, Hinds is solid and McSorley creates a man so
thoroughly loathsome I may not be able to stop myself from
hitting him if I ever meet him. Also, look for a knockout cameo
from Irish native Colin Farrell, who was in Schumacher’s
Phone Booth and the excellent Tigerland. This film
belongs to Blanchett however, and if she doesn’t receive an
Oscar nomination it will be a gross injustice. She doesn’t play
the martyr; she creates the martyr as a fully rounded woman who
did what only few people would.
Veronica
Guerin
is an amazing film, as well as inspiring and wrenching at the
same time. Cate Blanchett and Joel Schumacher have reason to be
proud of the treatment they’ve given to the memory of a modern
heroine.
Rating:
êêêê1/2
(out of 5)
Grade: A-
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